Hipolito Lazaro's 'Ah! dispar, vision! (Manon)' came out on August 29, 2006. The duration of Ah! dispar, vision! (Manon) is about 3 minutes long, at 3:13. Based on our data, "Ah! dispar, vision! (Manon)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Hipolito Lazaro's "Lebendige Vergangenheit - Hipolito Lazaro" album is number 14 out of 22. On top of that, Austria appears to be the country where this track was created. Based on our statistics, Ah! dispar, vision! (Manon)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Ah! dispar, vision! (Manon) by Hipolito Lazaro to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bizet: Carmen, WD 31, Act 1: "Avec la garde montante" (Chorus) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Minor | 1 | 7A | 118 BPM | ||
Die tote Stadt, Op. 12: Mein Sehnen, mein Wähnen (Pierrot's Tanzlied) | Erich Wolfgang Korngold, Samuel Hasselhorn, Poznań Philharmonic Orchestra, Łukasz Borowicz | F Major | 1 | 7B | 129 BPM | ||
Salmo 97. Antífona 5ª. Salmo para el Tiempo de Navidad | Coro Ametsa de Irún, Fernando Echepare | A Minor | 2 | 8A | 77 BPM | ||
Dostal: Die ungarische Hochzeit, Act 2: "Spiel mir das Lied von Glück und Treu" (Janka) | Nico Dostal, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 79 BPM | ||
Sangre de Reyes: "Adiós Para siempre" (Canción del gitano) - Remastered | Pablo Luna, Francisco Balaguer, Miguel Fleta, Gelabert | E Minor | 1 | 9A | 79 BPM | ||
In Quelle Trine Morbide (Manon Lescaut) | Renata Tebaldi, Orchestre de la Suisse Romande | C Major | 2 | 8B | 74 BPM | ||
Puts: The Hours, Act 1: "Missus Dalloway Said She Would Buy the Flowers Herself" (Laura, Virginia, Chorus, Dan, Richie) [Live] | Kevin Puts, Yannick Nézet-Séguin, Brandon Cedel, Joyce DiDonato, Kai Edgar, Kelli O'Hara, Metropolitan Opera Chorus, Metropolitan Opera Orchestra | A♭ Minor | 1 | 1A | 113 BPM | ||
Lucia di Lammermoor, Act II: Se tradirmi tu potrai | Gaetano Donizetti, Stefano Antonucci, Zuzana Markova, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | G Major | 3 | 9B | 132 BPM | ||
Mefistofele, Act I, Scene 2: Dai campi, dai prati | Arrigo Boito, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
Ay, Ay, Ay | Miguel Fleta | B♭ Major | 3 | 6B | 78 BPM |
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