"Dostal: Die ungarische Hochzeit, Act 2: "Spiel mir das Lied von Glück und Treu" (Janka)" by Nico Dostal, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner was released on October 23, 1995. Dostal: Die ungarische Hochzeit, Act 2: "Spiel mir das Lied von Glück und Treu" (Janka) is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. The track order of this song in Lucia Popp's "Great Moments of Lucia Popp" album is number 19 out of 48. On top of that, United Kingdom appears to be the country where this track was created. Dostal: Die ungarische Hochzeit, Act 2: "Spiel mir das Lied von Glück und Treu" (Janka) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dostal: Die ungarische Hochzeit, Act 2: "Spiel mir das Lied von Glück und Treu" (Janka) by Nico Dostal, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenadi - Ständchen | Franz Schubert, Matti Salminen, George de Godzinsky, Studio Orchestra | A Major | 2 | 11B | 82 BPM | ||
4 Spanish Sketches: No. 1, Habanera | Nico Dostal, Berliner Philharmoniker | D Minor | 2 | 7A | 126 BPM | ||
Götterdämmerung, WWV 86D / Prologue: O heilige Götter! Hehre Geschlechter! - Remastered 2022 | Richard Wagner, Birgit Nilsson, Wolfgang Windgassen, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 6 | 5B | 135 BPM | ||
Carmen, WD 31 / Act 4: C'est toi, c'est-moi! | Georges Bizet, Freddie De Tommaso, Aigul Akhmetshina, Apollo Voices, Philharmonia Orchestra, Paolo Arrivabeni | E Major | 3 | 12B | 125 BPM | ||
Die Csardasfurstin (The Gypsy Princess): Act III: Schlussgesang: Tausend kleine Engel (Sylva, Stasi, Edwin, Boni) | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | C Major | 2 | 8B | 91 BPM | ||
Clivia: Ich bin verliebt | Nico Dostal, Ildiko Raimondi, Junge Philharmonie Wien, Michael Lessky | D Major | 3 | 10B | 111 BPM | ||
Durch Berlin fliesst immer noch die Spree | Jean Gilbert, Hermann Prey, Wannsee-Sanger, Cologne Radio Orchestra, Heinz Geese | C Major | 2 | 8B | 116 BPM | ||
Hoffmanns Erzählungen: Prologue: Aus dem Becher kommt der Trunk | Jacques Offenbach, Kölner Rundfunkchor, Kölner Rundfunk-Sinfonie-Orchester, Chor, Eugen Szenkar | C Major | 3 | 8B | 75 BPM | ||
Je Vous En Prie | Various Artists | F Major | 3 | 7B | 93 BPM | ||
Mefistofele, Act I, Scene 2: Dai campi, dai prati | Arrigo Boito, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM |
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