"Salmo 97. Antífona 5ª. Salmo para el Tiempo de Navidad" by Coro Ametsa de Irún, Fernando Echepare was released on January 30, 2020. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Salmos, Vol. 2". In this album, this song's track order is #4. Salmo 97. Antífona 5ª. Salmo para el Tiempo de Navidad is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Salmo 97. Antífona 5ª. Salmo para el Tiempo de Navidad by Coro Ametsa de Irún, Fernando Echepare having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ansiedad | Orquesta Sinfónica Venezuela | D♭ Minor | 7 | 12A | 165 BPM | ||
Himno a Morazán (Coro & Banda Marcial) | Sabio Valle | B♭ Major | 4 | 6B | 115 BPM | ||
Salmo 50. Antífona 1: Miserere - Remastered | Escolanía Virgen del Camino | D Minor | 2 | 7A | 76 BPM | ||
La Verbena de la Paloma, Act I: Mazurka (Casta, Susana, Antonia, Hilarión) | Tomás Bretón, Silvia Tro, Maria Bayo, Ana M. Amengual, Rafael Castejon, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | D Major | 2 | 10B | 76 BPM | ||
Elżbietę nawiedzić pobiegła | Chór Wyższego Seminarium Duchownego w Szczecinie | F♯ Major | 1 | 2B | 79 BPM | ||
Puig Floriu | Escolania de Montserrat | F♯ Major | 2 | 2B | 78 BPM | ||
NUBE GRIS / ESTRELLITA DEL SUR | Juan Antonio de Dompablo | G Major | 4 | 9B | 169 BPM | ||
Carmen, WD 31 / Act 4: C'est toi, c'est-moi! | Georges Bizet, Freddie De Tommaso, Aigul Akhmetshina, Apollo Voices, Philharmonia Orchestra, Paolo Arrivabeni | E Major | 3 | 12B | 125 BPM | ||
Modistilla de la Florida | Lolita Sevilla | B Minor | 4 | 10A | 121 BPM | ||
La donna é mobile | Endo Rivera | B Major | 3 | 1B | 72 BPM |
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