"The Peacemakers: VIII. Evening Prayer" by Karl Jenkins, London Symphony Orchestra, City of Birmingham Symphony Youth Chorus, Simon Halsey, Rundfunkchor Berlin was released on 2011. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "The Peacemakers". In this album, this song's track order is #8. Based on our statistics, The Peacemakers: VIII. Evening Prayer's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Peacemakers: VIII. Evening Prayer by Karl Jenkins, London Symphony Orchestra, City of Birmingham Symphony Youth Chorus, Simon Halsey, Rundfunkchor Berlin having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Candide / Act I: 1a. Westphalia Chorale | Leonard Bernstein, London Symphony Chorus, London Symphony Orchestra | F Major | 2 | 7B | 63 BPM | ||
The Passing of the Year: No. 1. Invocation | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | G Major | 1 | 9B | 143 BPM | ||
The Armed Man - A Mass For Peace: XII. Benedictus | Karl Jenkins, London Philharmonic Orchestra, National Youth Choir Of Great Britain, Mike Brewer, Guy Johnston | D Major | 0 | 10B | 79 BPM | ||
Alexander Nevsky, Op. 78: IV. Arise, Ye Russian People | Sergei Prokofiev, London Symphony Chorus, London Symphony Orchestra, Claudio Abbado | E♭ Major | 2 | 5B | 85 BPM | ||
Sainte-Chapelle | Eric Whitacre, National Youth Choir Of Great Britain, Ben Parry | C Major | 1 | 8B | 167 BPM | ||
The Nutcracker Suite | Pyotr Ilyich Tchaikovsky, HAUSER, Robert Ziegler, London Symphony Orchestra | E Minor | 4 | 9A | 77 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Stabat Mater: 1. Stabat Mater | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 88 BPM | ||
Stabat mater: VIII. Virgo Virginum | Karl Jenkins, Royal Liverpool Philharmonic Orchestra, Andrew Long, Royal Liverpool Philharmonic Chorus, Ian Tracey, Jurgita Adamonyte, Belinda Sykes, EMO Ensemble, Pasi Hyökki, Jody K. Jenkins | E Minor | 2 | 9A | 120 BPM | ||
Carmina Burana: No. 21, In trutina | Carl Orff, Simona Saturova | D Major | 0 | 10B | 80 BPM |
Section: 0.5131855010986328
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