"The Armed Man - A Mass For Peace: XII. Benedictus" by Karl Jenkins, London Philharmonic Orchestra, National Youth Choir Of Great Britain, Mike Brewer, Guy Johnston was released on 2001. Since The Armed Man - A Mass For Peace: XII. Benedictus is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "The Armed Man: A Mass For Peace". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. The Armed Man - A Mass For Peace: XII. Benedictus is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Armed Man - A Mass For Peace: XII. Benedictus by Karl Jenkins, London Philharmonic Orchestra, National Youth Choir Of Great Britain, Mike Brewer, Guy Johnston having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madama Butterfly, Act 2: Humming Chorus | Giacomo Puccini, Opera Queensland Chorus, Johannes Fritzsch, Queensland Symphony Orchestra | B♭ Major | 0 | 6B | 139 BPM | ||
Requiem (Version for Choir, Cello, Percussion & Organ): I. Introit | Matthew Coleridge, RSVP Voices, Guy Johnston, Stephen Farr, Unknown Artist, Rob Johnston | B♭ Minor | 1 | 3A | 95 BPM | ||
Cantata Memoria: Lament for the Valley | Karl Jenkins, Bryn Terfel, Elin Manahan Thomas, Côr Heol y March, Cor Y Cwm, David Childs, Joo Yeon Sir, Jody Jenkins, Sinfonia Cymru | D Minor | 3 | 7A | 127 BPM | ||
Scotland at Night: Dusk | Tom Cunningham, Laudibus, Mike Brewer | B Minor | 2 | 10A | 83 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
Song for Athene | John Tavener, Choir of St. John's College, Cambridge, Christopher Robinson | F Major | 0 | 7B | 84 BPM | ||
Pärt: Spiegel im Spiegel | Arvo Pärt, Tasmin Little, Martin Roscoe | F Major | 0 | 7B | 80 BPM | ||
The Heart Asks Pleasure First | Michael Nyman, Ahn Trio | A Minor | 2 | 8A | 169 BPM | ||
Mein Herr und mein Gott | Pēteris Vasks, Latvian Radio Choir, Sinfonietta Riga, Sigvards Kļava | C Minor | 1 | 5A | 80 BPM | ||
Sonata in A Major, BWV 1032 | Johann Sebastian Bach, Jennifer Stinton, Guy Johnston, David Wright | D Major | 1 | 10B | 78 BPM |
Section: 0.5607681274414062
End: 0.5643887519836426