- BPM
- 67
- Key
- D Minor
- Camelot
- 7A
Ma mère l'oye, M.60: I. Prélude - Maurice Ravel, Myung-Whun Chung, Orchestre Philharmonique de Radio France Information
- Acousticness
- 97%
- Danceability
- 7%
- Energy
- 2%
- Instrumentalness
- 77%
- Liveness
- 14%
- Loudness
- 51%
- Speechiness
- 4%
- Valence
- 3%
- Popularity
- 5%
- Loudness
- -29.287 dB
Summary
"Ma mère l'oye, M.60: I. Prélude" by Maurice Ravel, Myung-Whun Chung, Orchestre Philharmonique de Radio France was released on January 1, 2012. The duration of Ma mère l'oye, M.60: I. Prélude is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Ma mère l'oye, M.60: I. Prélude's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Ravel : Concerto pour la main gauche, Boléro, Ma mère l'Oye, Le Tombeau de Couperin". In this album, this song's track order is #3. Ma mère l'oye, M.60: I. Prélude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Ma mère l'oye, M.60: I. Prélude BPM
With Ma mère l'oye, M.60: I. Prélude by Maurice Ravel, Myung-Whun Chung, Orchestre Philharmonique de Radio France having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Ma mère l'oye, M.60: I. Prélude Key
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Souvenirs, Op. 28 (version for orchestra): V. Hesitation-Tango (A Bedroom Affair) | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | A♭ Major | 0 | 4B | 177 BPM | |
 | Verklärte Nacht, Op. 4: V. Adagio (Arr. for String Orchestra by Schoenberg - 1943 Revised Version) (II) | Arnold Schoenberg, Berliner Philharmoniker, Herbert von Karajan | D♭ Minor | 0 | 12A | 67 BPM | |
 | Four Orchestral Pieces Op. 12 (Sz 51): I. Preludio | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | |
 | Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | |
 | Piano Concerto No. 1 in C Minor, Op. 33: III. Coda. Allegro molto | Nikolai Medtner, Neeme Järvi, London Philharmonic Orchestra, Geoffrey Tozer | G Major | 1 | 9B | 90 BPM | |
 | Apollon musagète: I. Premier Tableau, Naissance d'Apollon | Igor Stravinsky, London Symphony Orchestra, John Eliot Gardiner | G Major | 1 | 9B | 108 BPM | |
 | Rachmaniana: I. Andante improvizato | Daniil Trifonov | E Minor | 0 | 9A | 63 BPM | |
 | Divertimento for Strings, Sz. 113: I. Allegro non troppo | Béla Bartók, Chicago Symphony Strings, Sir Georg Solti | B♭ Major | 2 | 6B | 108 BPM | |
 | Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 0 | 4A | 84 BPM | |
 | Japanese Suite, Op. 33: V. Dance under the Cherry Tree | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 85 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7329516410827637
End: 0.7377040386199951