Lieder ohne Worte, Op. 67: No. 5 Moderato (Arr. Ottensamer for Clarinet and Piano) - Felix Mendelssohn, Andreas Ottensamer, Julien Quentin Information

Acousticness: 100%
Danceability: 24%
Energy: 2%
Instrumentalness: 78%
Liveness: 9%
Loudness: 61%
Speechiness: 4%
Valence: 8%
Popularity: 21%
Loudness: -23.123 dB

Summary

"Lieder ohne Worte, Op. 67: No. 5 Moderato (Arr. Ottensamer for Clarinet and Piano)" by Felix Mendelssohn, Andreas Ottensamer, Julien Quentin was released on June 18, 2021. The duration of Lieder ohne Worte, Op. 67: No. 5 Moderato (Arr. Ottensamer for Clarinet and Piano) is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Lieder ohne Worte, Op. 67: No. 5 Moderato (Arr. Ottensamer for Clarinet and Piano)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 21 in Blue Hour: Mendelssohn Edition by Felix Mendelssohn, Andreas Ottensamer, Yuja Wang, Julien Quentin, Schumann Quartett, Gunars Upatnieks. Lieder ohne Worte, Op. 67: No. 5 Moderato (Arr. Ottensamer for Clarinet and Piano) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Lieder ohne Worte, Op. 67: No. 5 Moderato (Arr. Ottensamer for Clarinet and Piano) BPM

The tempo marking of Lieder ohne Worte, Op. 67: No. 5 Moderato (Arr. Ottensamer for Clarinet and Piano) by Felix Mendelssohn, Andreas Ottensamer, Julien Quentin is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Lieder ohne Worte, Op. 67: No. 5 Moderato (Arr. Ottensamer for Clarinet and Piano) Key

B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point"	Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham	E♭ Major	0	5B	90 BPM
Orpheus' Klage (Orfeo ed Euridice)	Christoph Willibald Gluck, Wilhelm Kempff, Matti Raekallio	D Minor	0	7A	69 BPM
Miscellanea, Op. 16: No. 4, Nocturne in B-Flat Major	Ignacy Jan Paderewski, Jenny Lin	B♭ Major	0	6B	61 BPM
Three Romances, Op. 11: No. 1 in E-Flat Minor, Andante	Clara Schumann, Sara Costa	E♭ Minor	1	2A	134 BPM
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano)	Frank Bridge, Gerald Peregrine, Antony Ingham	G Major	0	9B	87 BPM
Gypsy Songs, Op. 55, B. 104: No. 4, Songs My Mother Taught Me (Arr. P. Breiner for Piano)	Antonín Dvořák, Peter Breiner	A Minor	0	8A	108 BPM
The Birds, P. 154: V. The Cuckoo (Il cuccù)	Ottorino Respighi, Orpheus Chamber Orchestra	A Major	0	11B	118 BPM
4 Morceaux, Op. 56: No. 2, Romance	Anton Arensky, Dmitrii Khrychev, Olga Solovieva	D Major	0	10B	100 BPM
Clarinet Concerto No. 1 in F Minor, Op. 73: II. Adagio ma non troppo	Carl Maria von Weber, Andreas Ottensamer, Berliner Philharmoniker, Mariss Jansons	C Major	0	8B	72 BPM
Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Mélodie" (arr. I. Friedman for piano)	Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz	D Minor	0	7A	128 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.5646204948425293

End: 0.5699527263641357