"Geistliche Chormusik, Op. 11: 9. Herr, auf dich traue ich, SWV 377" by Heinrich Schütz, Frauke Hess, Ludger Rémy, Dresdner Kammerchor, Hans-Christoph Rademann was released on September 1, 2007. The duration of Geistliche Chormusik, Op. 11: 9. Herr, auf dich traue ich, SWV 377 is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Geistliche Chormusik, Op. 11: 9. Herr, auf dich traue ich, SWV 377's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Heinrich Schütz, Cappella Sagittariana Dresden, Dresdner Kammerchor, Hans-Christoph Rademann's "Heinrich Schütz: Geistliche Chor-Music 1648 (Complete Recording Vol. 1)" album is number 9 out of 29. Based on our statistics, Geistliche Chormusik, Op. 11: 9. Herr, auf dich traue ich, SWV 377's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Geistliche Chormusik, Op. 11: 9. Herr, auf dich traue ich, SWV 377 by Heinrich Schütz, Frauke Hess, Ludger Rémy, Dresdner Kammerchor, Hans-Christoph Rademann to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das ist je gewißlich wahr, SWV 388 | Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Magdalene Harer, Joowon Chung, Johannes Gaubitz, Sören Richter, Matthias Lutze | F♯ Major | 1 | 2B | 166 BPM | ||
Missa Quadragesimalis, MH 552: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | B♭ Minor | 1 | 3A | 135 BPM | ||
Symphoniae Sacrae III, Op. 12: No. 4, Mein Sohn, warum hast du uns das getan, SWV 401 | Heinrich Schütz, Dorothee Mields, Isabel Schicketanz, Maria Stosiek, Ulrike Hofbauer, Felix Schwandtke, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann | D Major | 3 | 10B | 116 BPM | ||
Laudate Jehovam omnes gentes (Psalm 117), TWV 7:25 | Georg Philipp Telemann, Allabastrina Choir, Allabastrina, Elena Sartori | A Major | 1 | 11B | 137 BPM | ||
Dominus illuminatio mea: Sinfonia | Franz Tunder, Peter Barany, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | A Minor | 0 | 8A | 79 BPM | ||
Petite messe solennelle: II. Kyrie. Christe eleison | Gioachino Rossini, Giulio Prandi, Coro Ghislieri | A Minor | 0 | 8A | 172 BPM | ||
Psalm 23, SwWV 310, "Mein Huter und mein Hirt": Variation 1 | Jan Pieterszoon Sweelinck, Joseph Kelemen | F♯ Minor | 0 | 11A | 67 BPM | ||
Missa Quadragesimalis, MH 552: Credo | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 1 | 1A | 40 BPM | ||
Kodály: Missa brevis: II. Kyrie | Zoltán Kodály, Choir of King's College, Cambridge, Stephen Layton, Stephen Cleobury | D Major | 0 | 10B | 101 BPM | ||
Deus, qui beatum Marcum a 10, C. 36 | Giovanni Gabrieli, Gesualdo Consort Amsterdam, Oltremontano, Wim Becu | B Major | 1 | 1B | 87 BPM |
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