"Kodály: Missa brevis: II. Kyrie" by Zoltán Kodály, Choir of King's College, Cambridge, Stephen Layton, Stephen Cleobury was released on January 1, 1988. The duration of Kodály: Missa brevis: II. Kyrie is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Kodály: Missa brevis: II. Kyrie's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Choir of King's College, Cambridge, Stephen Cleobury's "Kodály: Missa brevis - Janáček: Mass in E-Flat & The Lord's Prayer" album is number 2 out of 12. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Kodály: Missa brevis: II. Kyrie is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kodály: Missa brevis: II. Kyrie by Zoltán Kodály, Choir of King's College, Cambridge, Stephen Layton, Stephen Cleobury to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloria, FP 144: 1. Gloria | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | C Major | 3 | 8B | 109 BPM | ||
Suite for Viola & Small Orchestra: I. Prelude | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Major | 0 | 8B | 91 BPM | ||
Strauss, R, String Sextet from Capriccio, Op. 65 | Richard Strauss, Artemis Quartet, Thomas Kakuska, Valentin Erben | F Major | 1 | 7B | 82 BPM | ||
Abbey Road concerto for Violin and Orchestra: V. Something | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 5 | 11B | 157 BPM | ||
Marche funebre | Luigi Cherubini, Radio Svizzera Italiana Orchestra, Diego Fasolis | D Minor | 0 | 7A | 82 BPM | ||
Du bist die Ruh, Op. 59/3, D. 776 | Franz Schubert, Mischa Maisky, Daria Hovora | E♭ Major | 0 | 5B | 67 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | F♯ Minor | 0 | 11A | 84 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Poco adagio | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | ||
Symphony No. 3: V. Lustig im Tempo und keck im Ausdruck | Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel, Gerhild Romberger, Damen des Rundfunkchors Berlin, Knaben des Staats- und Domchors Berlin | F Major | 1 | 7B | 111 BPM |
Section: 0.7641377449035645
End: 0.7690279483795166