Miserere, S. 27: Quoniam iniquitatem meam
Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé
Michel-Richard de Lalande: Grands Motets, Dies irae, Miserere, Veni creator
1:17 February 4, 2022
BPM
98
Key
B Minor
Camelot
10A

Embed

Share Link

Miserere, S. 27: Quoniam iniquitatem meam - Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé Information

Acousticness
97%
Danceability
28%
Energy
24%
Instrumentalness
0%
Liveness
9%
Loudness
75%
Speechiness
3%
Valence
24%
Popularity
Loudness
-15.282 dB

Summary

Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé's 'Miserere, S. 27: Quoniam iniquitatem meam' came out on February 4, 2022. With Miserere, S. 27: Quoniam iniquitatem meam being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé's "Michel-Richard de Lalande: Grands Motets, Dies irae, Miserere, Veni creator" album is number 16 out of 38. On top of that, France appears to be the country where this track was created. In terms of popularity, Miserere, S. 27: Quoniam iniquitatem meam is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Miserere, S. 27: Quoniam iniquitatem meam BPM

We consider the tempo marking of Miserere, S. 27: Quoniam iniquitatem meam by Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Miserere, S. 27: Quoniam iniquitatem meam Key

This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Al fragor di lieta tromba, Sinfonia: III. Allegro by Alessandro Scarlatti, Alessandro Stradella Consort, Estevan VelardiAl fragor di lieta tromba, Sinfonia: III. AllegroAlessandro Scarlatti, Alessandro Stradella Consort, Estevan VelardiG Minor06A117 BPM
Miserere mei, Deus/Benigne fac, Domine (choeur) by Michel Richard Delalande, Psalm 50, Uppsala Cathedral Choir/RebaroqueMiserere mei, Deus/Benigne fac, Domine (choeur)Michel Richard Delalande, Psalm 50, Uppsala Cathedral Choir/RebaroqueB Minor310A85 BPM
Ojos, pues me desdeñais by José Marin, Cappella Mediterranea, Leonardo García-Alarcón, Mariana FloresOjos, pues me desdeñaisJosé Marin, Cappella Mediterranea, Leonardo García-Alarcón, Mariana FloresB♭ Minor03A110 BPM
Missa Paschalis, ZWV 7: Credo. Amen come nel gloria by Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril AuvityMissa Paschalis, ZWV 7: Credo. Amen come nel gloriaJan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril AuvityD♭ Major33B178 BPM
Sacrum, R.586 - rev. Franz Giegling: 2b Gloria: (Adagio) Et in terra pax by Antonio Vivaldi, Anthony Rolfe Johnson, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers, John ConstableSacrum, R.586 - rev. Franz Giegling: 2b Gloria: (Adagio) Et in terra paxAntonio Vivaldi, Anthony Rolfe Johnson, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers, John ConstableA Minor18A78 BPM
Exaltabo te, Deus meus Rex, S. 76: No. 2, Magnus Dominus (Remastered 2022) by Michel Richard Delalande, Jeannine Collard, Jean-Marie Leclair Instrumental Ensemble, Louis FrémauxExaltabo te, Deus meus Rex, S. 76: No. 2, Magnus Dominus (Remastered 2022)Michel Richard Delalande, Jeannine Collard, Jean-Marie Leclair Instrumental Ensemble, Louis FrémauxE Major212B127 BPM
Deitatis Majestatem: VI. O mentis jubilatio by Michel Richard Delalande, Le Poème Harmonique, Ensemble Aedes, Vincent Dumestre, Emmanuelle De Negri, Dagmar Saskova, Sean Clayton, Cyril Auvity, André MorschDeitatis Majestatem: VI. O mentis jubilatioMichel Richard Delalande, Le Poème Harmonique, Ensemble Aedes, Vincent Dumestre, Emmanuelle De Negri, Dagmar Saskova, Sean Clayton, Cyril Auvity, André MorschC Minor25A90 BPM
Sonata da chiesa a tre in F Major, Op. 1 No. 1: II. Allegro by Arcangelo Corelli, The Avison Ensemble, Pavlo BeznosiukSonata da chiesa a tre in F Major, Op. 1 No. 1: II. AllegroArcangelo Corelli, The Avison Ensemble, Pavlo BeznosiukE♭ Major25B105 BPM
Polonaise in F Major, BWV Anh. 117 by Johann Sebastian Bach, Mahan EsfahaniPolonaise in F Major, BWV Anh. 117Johann Sebastian Bach, Mahan EsfahaniF♯ Major02B151 BPM
King Arthur, Z. 628, Act V: Fairest Isle by Henry Purcell, Rachel Redmond, Peter Whelan, Irish Baroque OrchestraKing Arthur, Z. 628, Act V: Fairest IsleHenry Purcell, Rachel Redmond, Peter Whelan, Irish Baroque OrchestraA Major011B76 BPM
ISRC
FR7JM2112160
Label
L-M Records/RCA Records

Section: 0.5756542682647705

End: 0.5787937641143799