"Annees de pelerinage, 1st year, Switzerland, S160/R10: No. 9. Les cloches de Geneve (The Bells of Geneva)" by Franz Liszt, Michael Korstick was released on May 27, 2010. Since Annees de pelerinage, 1st year, Switzerland, S160/R10: No. 9. Les cloches de Geneve (The Bells of Geneva) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Franz Liszt, Michael Korstick's "Liszt: Annees de pelerinage I / Piano Sonata in B minor" album is number 9 out of 10. Based on our statistics, Annees de pelerinage, 1st year, Switzerland, S160/R10: No. 9. Les cloches de Geneve (The Bells of Geneva)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Annees de pelerinage, 1st year, Switzerland, S160/R10: No. 9. Les cloches de Geneve (The Bells of Geneva) by Franz Liszt, Michael Korstick to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 3 in C, Op. 26: 1. Andante - Allegro | Sergei Prokofiev, Behzod Abduraimov, Orchestra Sinfonica Nazionale Della RAI, Juraj Valcuha | A Minor | 3 | 8A | 133 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | E Major | 1 | 12B | 83 BPM | ||
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | F Major | 0 | 7B | 100 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
Années de pèlerinage: 1e année: Suisse, S.160: 2. Au lac de Wallenstadt | Franz Liszt, Nelson Freire | A♭ Major | 0 | 4B | 65 BPM | ||
The Wounded Heart, Op. 34, No. 1 (From "Elegiac Melodies") | Edvard Grieg, Yo-Yo Ma, Kathryn Stott | G Major | 1 | 9B | 81 BPM | ||
Mephisto Waltz No. 1, S. 514 | Franz Liszt, Khatia Buniatishvili | E Major | 2 | 12B | 132 BPM | ||
Was it a Dream?, Op. 37, No. 4 | Jean Sibelius, Yo-Yo Ma, Kathryn Stott | A♭ Minor | 1 | 1A | 74 BPM | ||
Piano Concerto No. 1 In B Flat Minor, Op. 23, TH.55: 2. Andantino semplice - Prestissimo - Tempo I | Pyotr Ilyich Tchaikovsky, Behzod Abduraimov, Orchestra Sinfonica Nazionale Della RAI, Juraj Valcuha | A♭ Major | 0 | 4B | 69 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM |
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