Romanesca - Christina Pluhar, L'Arpeggiata Information

Acousticness
32%
Danceability
32%
Energy
10%
Instrumentalness
23%
Liveness
9%
Loudness
56%
Speechiness
3%
Valence
5%
Popularity
Loudness
-26.146 dB

Summary

"Romanesca" by Christina Pluhar, L'Arpeggiata was released on 2001. The duration of Romanesca is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Romanesca's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Lucilla Galeazzi, Marco Beasley, L'Arpeggiata, Christina Pluhar, Gianluigi Trovesi, Johanette Zomer's "L'Arpeggiata, Christina Pluhar: The Complete Alpha Recordings" album is number 4 out of 100. Romanesca is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Romanesca BPM

We consider the tempo marking of Romanesca by Christina Pluhar, L'Arpeggiata to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Romanesca Key

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Rossi / Arr. Pluhar: Rossi / Arr. Pluhar: "Quando spiega la notte"Luigi Rossi, Christina Pluhar, Céline ScheenC Major18B81 BPM
Hicâz Mandira by Christina Pluhar, Sultan AbdulazizHicâz MandiraChristina Pluhar, Sultan AbdulazizG Major39B102 BPM
Come, Ye Sons of Art Away, Z. 323 Come, Ye Sons of Art Away, Z. 323 "Ode for Queen Mary's Birthday, 1694": No. 2. Duet, "Come Ye Sons of Art Away" (Arr. with Trumpet, Trombone, Baroque Guitar, Cello and Organ by Wim van Hasselt and Jörgen van Rijen)Henry Purcell, Wim Van Hasselt, Jörgen Van Rijen, Benedikt Enzler, Mike Fentross, Jorge Lopez-EscribanoF Major17B107 BPM
Cavalli / Arr Pluhar: L'Ormindo: L'Armonia (Prologo) by Francesco Cavalli, Christina Pluhar, L'ArpeggiataCavalli / Arr Pluhar: L'Ormindo: L'Armonia (Prologo)Francesco Cavalli, Christina Pluhar, L'ArpeggiataG Minor16A79 BPM
Passacaglia by Giovanni Antonio Pandolfi Mealli, Christina PluharPassacagliaGiovanni Antonio Pandolfi Mealli, Christina PluharC Major28B130 BPM
Ah, vita bella ! by Lucilla Galeazzi, L'Arpeggiata, Christina Pluhar, Marco BeasleyAh, vita bella !Lucilla Galeazzi, L'Arpeggiata, Christina Pluhar, Marco BeasleyG Minor46A74 BPM
Luna Lunedda by Christina Pluhar, Alfio Antico, Lucilla Galeazzi, Marco Beasley, L'ArpeggiataLuna LuneddaChristina Pluhar, Alfio Antico, Lucilla Galeazzi, Marco Beasley, L'ArpeggiataG Major79B99 BPM
Passacaglia della vita by Stefano Landi, Ed Lyon, Theatre of the Ayre, Elizabeth KennyPassacaglia della vitaStefano Landi, Ed Lyon, Theatre of the Ayre, Elizabeth KennyA♭ Minor31A122 BPM
Stabat Mater: Stabat Mater Dolorosa by Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego FasolisStabat Mater: Stabat Mater DolorosaAgostino Steffani, Cecilia Bartoli, I Barocchisti, Diego FasolisB Major01B64 BPM
Villa-Lobos: Bachianas Brasileiras No. 5, W391: Ária. Cantilena (Version for Voice and Guitar) by Heitor Villa-Lobos, Liat Cohen, Natalie DessayVilla-Lobos: Bachianas Brasileiras No. 5, W391: Ária. Cantilena (Version for Voice and Guitar)Heitor Villa-Lobos, Liat Cohen, Natalie DessayA Minor08A70 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.557659387588501

End: 0.5623931884765625