Villa-Lobos: Bachianas Brasileiras No. 5, W391: Ária. Cantilena (Version for Voice and Guitar) - Heitor Villa-Lobos, Liat Cohen, Natalie Dessay Information

Acousticness: 99%
Danceability: 19%
Energy: 4%
Instrumentalness: 56%
Liveness: 13%
Loudness: 66%
Speechiness: 5%
Valence: 4%
Popularity: 41%
Loudness: -20.634 dB

Summary

"Villa-Lobos: Bachianas Brasileiras No. 5, W391: Ária. Cantilena (Version for Voice and Guitar)" by Heitor Villa-Lobos, Liat Cohen, Natalie Dessay was released on April 28, 2014. With this song being about 5 minutes long, at 4:53, "Villa-Lobos: Bachianas Brasileiras No. 5, W391: Ária. Cantilena (Version for Voice and Guitar)" by Heitor Villa-Lobos, Liat Cohen, Natalie Dessay is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "Rio-Paris". In this album, this song's track order is #5. Villa-Lobos: Bachianas Brasileiras No. 5, W391: Ária. Cantilena (Version for Voice and Guitar) is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Villa-Lobos: Bachianas Brasileiras No. 5, W391: Ária. Cantilena (Version for Voice and Guitar) BPM

With Villa-Lobos: Bachianas Brasileiras No. 5, W391: Ária. Cantilena (Version for Voice and Guitar) by Heitor Villa-Lobos, Liat Cohen, Natalie Dessay having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Villa-Lobos: Bachianas Brasileiras No. 5, W391: Ária. Cantilena (Version for Voice and Guitar) Key

This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concierto de Aranjuez: I. Allegro con spirito	Joaquín Rodrigo, Gerald Garcia, Slovak State Philharmonic Orchestra, Kosice, Peter Breiner	G Major	1	9B	112 BPM
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings)	Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog	B Minor	1	10A	87 BPM
Concert nr. 5 pentru pian și orchestră în Mi bemol major, op. 73, Imprerialul, Adagio un poco mosso	Radu Lupu	B Major	0	1B	92 BPM
Mozart: Mass in C Minor, K. 427: "Et incarnatus est" (Soprano I)	Wolfgang Amadeus Mozart, Louis Langrée, Le Concert d'Astrée, Natalie Dessay, Yves Castagnet, L Langree	C Minor	0	5A	112 BPM
Les Pêcheurs de perles: Je crois entendre encore (Nadir)	Georges Bizet, Nicolai Gedda, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique	A Minor	1	8A	88 BPM
Bachianas brasileiras No. 1: III. Fugue: Conversa (Conversation)	Heitor Villa-Lobos, Nashville Symphony Orchestra Cellos, Andrew Mogrelia	C Minor	1	5A	91 BPM
Suite populaire brésilienne, W020: No. 1, Mazourka-choro	Manuel Barrueco	D Major	1	10B	114 BPM
Bachianas brasileiras No. 4: I. Preludio: Introducao	Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn	B Minor	1	10A	81 BPM
Danzón No. 2 - Transcr. for piano solo	Arturo Márquez, Simon Ghraichy	D Minor	1	7A	107 BPM
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4)	Antonín Dvořák, Yo-Yo Ma, Kathryn Stott	B Minor	0	10A	92 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.5711953639984131

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