"Fairy Queen, Z. 629: If love's a sweet passion - Arr. for Voice & Piano" by Henry Purcell, Théophile Alexandre, Guillaume Vincent was released on September 14, 2018. The duration of Fairy Queen, Z. 629: If love's a sweet passion - Arr. for Voice & Piano is about 3 minutes long, at 3:02. Based on our data, "Fairy Queen, Z. 629: If love's a sweet passion - Arr. for Voice & Piano" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 17 out of 21 in ADN Baroque by Théophile Alexandre, Guillaume Vincent. Fairy Queen, Z. 629: If love's a sweet passion - Arr. for Voice & Piano is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Fairy Queen, Z. 629: If love's a sweet passion - Arr. for Voice & Piano by Henry Purcell, Théophile Alexandre, Guillaume Vincent is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM | ||
Dido and Aeneas / Act 3: "With drooping wings" | Henry Purcell, The St. Anthony Singers, English Chamber Orchestra, Thurston Dart, Anthony Lewis | G Minor | 0 | 6A | 131 BPM | ||
Harmonia Artificioso Ariosa, Partia V in G Minor, C. 66: Passacaglia | Heinrich Ignaz Franz von Biber, Lautten Compagney, Wolfgang Katschner | F♯ Minor | 1 | 11A | 94 BPM | ||
Concerto for two violins BWV 1043 in D Minor: Concerto for two violins BWV 1043 in D Minor: II. Largo ma non tanto | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Petra Mullejans | E Major | 1 | 12B | 84 BPM | ||
Orfeo ed Euridice: Act II, Scene 2, Ballo. Andante | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | C Major | 0 | 8B | 74 BPM | ||
Purcell : King Arthur : Air | William Christie | C Minor | 0 | 5A | 96 BPM | ||
The Indian Queen, Z. 630, First Music: Air | Henry Purcell, The Sixteen, Harry Christophers | E Major | 1 | 12B | 131 BPM | ||
Les Indes Galantes - Musette en Rondeau | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | F♯ Major | 2 | 2B | 0 BPM | ||
Purcell: Hail! Bright Cecilia, Z. 328 "Ode to St Cecilia": Duet. "In Vain the Am'rous Flute" | Henry Purcell, Christina Pluhar, L'Arpeggiata, Vincenzo Capezzuto | C Minor | 0 | 5A | 80 BPM |
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