Strauss, R: An Alpine Symphony, Op. 64: XII. Dangerous Moments - Richard Strauss, Rudolf Kempe, Staatskapelle Dresden Information

Acousticness: 92%
Danceability: 21%
Energy: 38%
Instrumentalness: 94%
Liveness: 16%
Loudness: 81%
Speechiness: 3%
Valence: 11%
Popularity: 2%
Loudness: -11.419 dB

Summary

"Strauss, R: An Alpine Symphony, Op. 64: XII. Dangerous Moments" by Richard Strauss, Rudolf Kempe, Staatskapelle Dresden was released on 2013. With Strauss, R: An Alpine Symphony, Op. 64: XII. Dangerous Moments being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 103 in the song's album "Strauss, Richard: Complete Orchestral Works". In this album, this song's track order is #31. Furthermore, we believe that the track originated from United Kingdom. Strauss, R: An Alpine Symphony, Op. 64: XII. Dangerous Moments is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Strauss, R: An Alpine Symphony, Op. 64: XII. Dangerous Moments BPM

With Strauss, R: An Alpine Symphony, Op. 64: XII. Dangerous Moments by Richard Strauss, Rudolf Kempe, Staatskapelle Dresden having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Strauss, R: An Alpine Symphony, Op. 64: XII. Dangerous Moments Key

This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Le tombeau de Couperin (version for orchestra): No. 4. Rigaudon	Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin	B♭ Major	3	6B	93 BPM
Recueil de chants, Op. 65: No. 6, Barcarolle	Charles-Valentin Alkan, Bruce Liu	G Minor	0	6A	70 BPM
Eine Alpensinfonie: VIII. Stille vor den Sturm - Gewitter und Sturm, Abstieg - Sonnenuntergang	Richard Strauss, Bernard Haitink, London Symphony Orchestra	F♯ Major	2	2B	73 BPM
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto	Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli	G Major	2	9B	87 BPM
Elektra: Iv. Ich kann nicht sitzen…	Richard Strauss, Hugo von Hofmannsthal, Anita Soldh, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler	F♯ Major	1	2B	88 BPM
Symphonie fantastique, Op. 14, H 48: II. Un Bal	Hector Berlioz, London Symphony Orchestra, Sir Colin Davis	A Major	1	11B	113 BPM
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus)	Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar	D Major	2	10B	110 BPM
Beethoven: Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio	Ludwig van Beethoven, Wolfgang Sawallisch, Royal Concertgebouw Orchestra	C Minor	2	5A	90 BPM
Romeo and Juliet, Op. 64 - Act 1: Romeo	Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel	C Major	0	8B	132 BPM
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano)	Sergei Rachmaninoff, Sergei Babayan	A♭ Major	0	4B	78 BPM

ISRC: GBAYC1201657
Label: L-M Records/RCA Records

Section: 0.8218884468078613

End: 0.8264346122741699