"Wagner: Rienzi, WWV 49, Act 2 Scene 3: "Im Namen Roms seid mir gegrüsst!" (Rienzi, Baroncelli, Cecco, Orsini, Colonna, Adriano, Chorus)" by Richard Wagner, Heinrich Hollreiser, Staatskapelle Dresden was released on 1976. With this song being about 5 minutes long, at 4:45, "Wagner: Rienzi, WWV 49, Act 2 Scene 3: "Im Namen Roms seid mir gegrüsst!" (Rienzi, Baroncelli, Cecco, Orsini, Colonna, Adriano, Chorus)" by Richard Wagner, Heinrich Hollreiser, Staatskapelle Dresden is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner: Rienzi by Richard Wagner, Heinrich Hollreiser/Staatskapelle Dresden, Heinrich Hollreiser, Staatskapelle Dresden. The song's track number on the album is #2 out of 39 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Wagner: Rienzi, WWV 49, Act 2 Scene 3: "Im Namen Roms seid mir gegrüsst!" (Rienzi, Baroncelli, Cecco, Orsini, Colonna, Adriano, Chorus) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Wagner: Rienzi, WWV 49, Act 2 Scene 3: "Im Namen Roms seid mir gegrüsst!" (Rienzi, Baroncelli, Cecco, Orsini, Colonna, Adriano, Chorus) by Richard Wagner, Heinrich Hollreiser, Staatskapelle Dresden has a tempo of 98 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Wagner: Rienzi, WWV 49, Act 2 Scene 3: "Im Namen Roms seid mir gegrüsst!" (Rienzi, Baroncelli, Cecco, Orsini, Colonna, Adriano, Chorus) being at 98 BPM, the half-time would be 49 BPM with a double-time of 196 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Walküre, WWV 86B / Act III: "Hojotoho! Heiaha!" | Richard Wagner, Liselotte Rebmann, Danica Mastilovic, Ingrid Steger, Lilo Brockhaus, Carlotta Ordassy, Barbro Ericson, Cvetka Ahlin, Helga Jenckel, Berliner Philharmoniker, Herbert von Karajan | G Major | 4 | 9B | 93 BPM | ||
Stabat Mater: Amen. In sempiterna saecula | Gioachino Rossini, Riccardo Muti, Orchestra del Maggio Musicale Fiorentino | C Minor | 5 | 5A | 76 BPM | ||
Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | Ludwig van Beethoven, Wiener Philharmoniker, Karl Böhm | F Major | 1 | 7B | 120 BPM | ||
Toccata | Johann Sebastian Bach, Symphonica Orchestra, Leopold Stokowski | D Major | 2 | 10B | 130 BPM | ||
Carmina Burana / III. Cour d'amours: "Tempus est iocundum" | Carl Orff, Gundula Janowitz, Dietrich Fischer-Dieskau, Schöneberger Sängerknaben, Orchester der Deutschen Oper Berlin, Eugen Jochum | F♯ Major | 7 | 2B | 138 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.3 in A Flat Major (Poco allegro) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | A♭ Major | 1 | 4B | 98 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Palestrina: Act III - "Wie lange sie bleiben" | Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier | F♯ Major | 1 | 2B | 87 BPM | ||
War Requiem, Op. 66: i. Requiem Aeternam - Requiem aeternam | Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra | F Major | 0 | 7B | 133 BPM | ||
Symphony No. 5 in C Minor, Op. 67: IV. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | C Major | 3 | 8B | 83 BPM |
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