"Good Night for soprano, alto flute, 3 tam-tams, piano, Op. 63: II. Lento tranquillissimo" by Henryk Górecki, Ewa Liebchen was released on March 1, 2021. Good Night for soprano, alto flute, 3 tam-tams, piano, Op. 63: II. Lento tranquillissimo appears to be safe for all ages as it is not explicit. The track order of this song in Henryk Górecki, Ewa Liebchen's "Godnight Mr. Górecki" album is number 4 out of 6. On top of that, Poland appears to be the country where this track was created. Good Night for soprano, alto flute, 3 tam-tams, piano, Op. 63: II. Lento tranquillissimo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Good Night for soprano, alto flute, 3 tam-tams, piano, Op. 63: II. Lento tranquillissimo by Henryk Górecki, Ewa Liebchen to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
O sacrum convivium! | Olivier Messiaen, Choir of New College, Oxford, Edward Higginbottom | F♯ Major | 0 | 2B | 127 BPM | ||
All-Night Vigil, Op. 37: O come and worship | Sergei Rachmaninoff, State Symphony Capella of Russia, Valery Polyansky | B Major | 1 | 1B | 126 BPM | ||
Officium breve in memoriam Andreae Szervánszky, Op. 28: XV. Arioso interrotto (di Endre Szervánsky). Larghetto | György Kurtág, Navarra String Quartet | C Major | 0 | 8B | 62 BPM | ||
Shaker Loops (version for string orchestra): A Final Shaking | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 78 BPM | ||
Prologue: Chorus of Exiled Palestinians | John Adams, Kent Nagano, The Opera De Lyon, London Opera Chorus | F Minor | 0 | 4A | 90 BPM | ||
Nocturnes, L. 91: 3. Sirènes | Claude Debussy, Berliner Philharmoniker, Claudio Abbado, Rundfunkchor Berlin, Robin Gritton | F♯ Major | 1 | 2B | 93 BPM | ||
China Gates | John Adams | E♭ Minor | 1 | 2A | 165 BPM | ||
Prayer of St. Gregory, Op. 62b | Alan Hovhaness, Charles Butler, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 87 BPM | ||
Orff: Carmina Burana: In Trutina | Carl Orff, Kate Royal, Edward Gardner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 70 BPM |
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