"O sacrum convivium!" by Olivier Messiaen, Choir of New College, Oxford, Edward Higginbottom was released on January 1, 2000. With this song being about 5 minutes long, at 4:31, "O sacrum convivium!" by Olivier Messiaen, Choir of New College, Oxford, Edward Higginbottom is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 18 out of 20 in Bluebird - Music Of Contemplation by Choir of New College, Oxford, Edward Higginbottom. Based on our statistics, O sacrum convivium!'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of O sacrum convivium! by Olivier Messiaen, Choir of New College, Oxford, Edward Higginbottom is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, J.S.: Johannespassion, BWV 245, Part 2: "Ruht wohl, ihr heiligen Gebeine" | Johann Sebastian Bach, Edward Higginbottom, Capricorn | C Minor | 1 | 5A | 79 BPM | ||
Three Sacred Hymns: III. Vater unser | Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann | E♭ Major | 1 | 5B | 75 BPM | ||
The Blue Bird, Op. 119 No. 3 | Charles Villiers Stanford, Simon Phipps, Swedish Chamber Choir | F♯ Major | 0 | 2B | 124 BPM | ||
Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Margaret Marshall, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | A♭ Major | 1 | 4B | 105 BPM | ||
To the Hands: No. 6. I Will Hold You | Caroline Shaw, The Crossing, International Contemporary Ensemble, Donald Nally | D Minor | 1 | 7A | 88 BPM | ||
Requiem, Op. 48: 1. Introitus: Requiem aeternam - Kyrie | Gabriel Fauré, Choeur de l'Orchestre Symphonique de Montréal, Orchestre Symphonique de Montréal, Charles Dutoit | D Minor | 0 | 7A | 99 BPM | ||
Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Signum Quartet | E♭ Major | 0 | 5B | 72 BPM | ||
Sicut cervus | Giovanni Pierluigi da Palestrina, Choir of New College, Oxford, Robert Quinney | A♭ Major | 1 | 4B | 78 BPM | ||
Madrigali a cinque voci, Libro sesto (1611): Se la mia morte brami | Carlo Gesualdo, Collegium Vocale Gent, Philippe Herreweghe | A Major | 1 | 11B | 115 BPM | ||
4 Lieder, Op. 27: 4. Morgen! | Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur | G Major | 0 | 9B | 81 BPM |
Section: 0.6476414203643799
End: 0.6517434120178223