"Violin Sonata in A Major, Op. 5 No. 9 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Adagio" by Arcangelo Corelli, Teodoro Baù, Andrea Buccarella was released on August 19, 2022. With Violin Sonata in A Major, Op. 5 No. 9 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Adagio being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 18 out of 25 in Corelli: Sonatas for Viola da Gamba & Continuo by Arcangelo Corelli, Teodoro Baù, Andrea Buccarella. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. In terms of popularity, Violin Sonata in A Major, Op. 5 No. 9 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Sonata in A Major, Op. 5 No. 9 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Adagio by Arcangelo Corelli, Teodoro Baù, Andrea Buccarella is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Telemann: Essercizii musici, Trio Sonata No. 6 for Flute, Viola da gamba and Continuo in B Minor, TWV 42:h4: I. Largo | Georg Philipp Telemann, Ton Koopman, Wilbert Hazelzet, Marc Vallon, Jaap Ter Linden | D Minor | 0 | 7A | 82 BPM | ||
La divisione del Mondo: Aria "Lumi potete piangere" | Giovanni Legrenzi, Théotime Langlois de Swarte, Le Consort | A Major | 2 | 11B | 118 BPM | ||
Psyche, Act V Scene 3: Rustick musick of Mænades & Ægipanes | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | A♭ Major | 3 | 4B | 120 BPM | ||
Suite in A Major, BWV 1025: VI. Menuet | Silvius Leopold Weiss, Johann Sebastian Bach, Emelie Roos, Dohyo Sol | A♭ Major | 1 | 4B | 135 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: I. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: I. Prélude | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | F Minor | 0 | 4A | 101 BPM | ||
Concerto Armonico I: I. Grave | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 1 | 3B | 95 BPM | ||
Guitar Quintet No. 4 in D Major, G. 448: I. Pastorale | Luigi Boccherini, José Miguel Moreno, La Real Cámara | A♭ Major | 0 | 4B | 110 BPM | ||
Concert Royal No. 1 in G (Version for 2 Harpsichords): II. Allemande. Légèrement | François Couperin, Pierre Gallon, Matthieu Boutineau | E♭ Major | 4 | 5B | 125 BPM | ||
La Suave Melodia | Andrea Falconieri, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM |
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