"La Sylphide: Act II: Finale: Pas de deux: Adagio" by Herman Severin Løvenskiold, Lars Bjørnkjær, Aalborg Symphony Orchestra, Peter Ernst Lassen was released on January 1, 2005. With La Sylphide: Act II: Finale: Pas de deux: Adagio being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 25 out of 206 in Ballet Music (Music To the Bournonville Ballets) by Aalborg Symphony Orchestra, Peter Ernst Lassen. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. La Sylphide: Act II: Finale: Pas de deux: Adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Sylphide: Act II: Finale: Pas de deux: Adagio by Herman Severin Løvenskiold, Lars Bjørnkjær, Aalborg Symphony Orchestra, Peter Ernst Lassen is Grave (very slow), since this song has a tempo of 36 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.2 in C Minor, op. 17 " Little Russian " : II. Andantino marciale quasi moderato | Philharmonia Slavonica, Alberto Lizzio | E♭ Major | 0 | 5B | 90 BPM | ||
Cinderella-Suite Nr. 1, Op. 107: V. Mazurka | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Minor | 2 | 7A | 77 BPM | ||
Giselle / Act 1: No. 4 Retour des Vendangeurs - No. 4(bis) Valse | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 0 | 10B | 137 BPM | ||
Le Corsaire: Pas de Trois - Ali Variation | Yuly Gerber, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 1 | 4B | 85 BPM | ||
Schumann: Symphony No. 1 in B-Flat Major, Op. 38, Spring: II. Larghetto | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 57 BPM | ||
Les Sylphides (orch. R. Douglas): I. Prelude (Op. 28, No. 7) | Frédéric Chopin, Roy Douglas, Berlin Radio Symphony Orchestra, Heinz Fricke | A Major | 0 | 11B | 99 BPM | ||
Ein Sommernachtstraum, Op. 61, MWV M13: Act II: Entr'acte: Scherzo | Felix Mendelssohn, Slovak Philharmonic, Anthony Bramall | F Major | 1 | 7B | 60 BPM | ||
Le maçon, S. 13 (Excerpts): Entr'acte to Act III | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | G Major | 0 | 9B | 95 BPM | ||
La Sylphide: Act II: Forest Scene: James and the Sylphide | Herman Severin Løvenskiold, Lars Bjørnkjær, Aalborg Symphony Orchestra, Peter Ernst Lassen | F Major | 1 | 7B | 183 BPM | ||
Capriol Suite: III. Tordion | Peter Warlock, Büyükada Ensemble, James Ross | G Minor | 1 | 6A | 115 BPM |
Section: 0.6175031661987305
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