Joaquín Rodrigo, Naoko Yoshino, Orchestre d'Auvergne, Roberto Forés Veses's 'Concierto de Aranjuez for harp and orchestra, Op. 30: III. Allegro gentile' came out on March 3, 2016. With this song being about 5 minutes long, at 5:05, "Concierto de Aranjuez for harp and orchestra, Op. 30: III. Allegro gentile" by Joaquín Rodrigo, Naoko Yoshino, Orchestre d'Auvergne, Roberto Forés Veses is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Naoko Yoshino, Orchestre d'Auvergne, Roberto Forés Veses's "Harp Concertos" album is number 3 out of 9. The popularity of Concierto de Aranjuez for harp and orchestra, Op. 30: III. Allegro gentile is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Concierto de Aranjuez for harp and orchestra, Op. 30: III. Allegro gentile by Joaquín Rodrigo, Naoko Yoshino, Orchestre d'Auvergne, Roberto Forés Veses to be Vivace (lively and fast) because the track has a tempo of 164 BPM, a half-time of 82BPM, and a double-time of 328 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Rodrigo: Fantasía para un gentilhombre: II. Españoleta | Joaquín Rodrigo, Sharon Isbin, Orchestre de Chambre de Lausanne, Lawrence Foster | A Minor | 0 | 8A | 85 BPM | ||
Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto (Excerpt) | Johannes Brahms, Nikolaus Harnoncourt, Berliner Philharmoniker | C Minor | 0 | 5A | 175 BPM | ||
Concerto en ré mineur, bwv974 - Adagio (d'après Marcello) | Élise Robineau | D Minor | 0 | 7A | 83 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Morceaux de Fantaisie, Op. 3: 1. Elégie | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | E♭ Minor | 1 | 2A | 89 BPM | ||
Fantasia on Greensleeves | Ralph Vaughan Williams, Ralph Greaves, New Zealand Symphony Orchestra, James Judd | C Minor | 0 | 5A | 78 BPM | ||
Invocación y danza: 2. Allegro moderato: Polo | Joaquín Rodrigo, Pepe Romero | B Minor | 1 | 10A | 90 BPM | ||
12 Danzas Españolas, Op. 37: 5. Andaluza | Enrique Granados, Xavier De Maistre | E Minor | 1 | 9A | 151 BPM | ||
Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM |
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