"Concerto in B minor for Cello and Orchestra, Op. 104: II. Adagio, ma non troppo" by New York Philharmonic, Yo-Yo Ma, Kurt Masur was released on 1982. Concerto in B minor for Cello and Orchestra, Op. 104: II. Adagio, ma non troppo appears to be safe for all ages as it is not explicit. There are a total of 7 in the song's album "The Dvorák Album". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Concerto in B minor for Cello and Orchestra, Op. 104: II. Adagio, ma non troppo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto in B minor for Cello and Orchestra, Op. 104: II. Adagio, ma non troppo by New York Philharmonic, Yo-Yo Ma, Kurt Masur having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Piano Concerto in G Major, M. 83: I. Allegramente | Maurice Ravel, Yuja Wang, Tonhalle Orchester Zürich, Lionel Bringuier | D Major | 1 | 10B | 95 BPM | ||
Violin Concerto No. 1 in A Minor, Op. 99 (Op. 77): I. Nocturne. Moderato | Dmitri Shostakovich, Sergey Khachatryan, Orchestre National De France, Kurt Masur | A♭ Minor | 1 | 1A | 102 BPM | ||
Symphony No. 1 in D Major "Titan": IIIb. A tempo. Ziemlich langsam | Gustav Mahler, Leonard Bernstein, New York Philharmonic | G Minor | 0 | 6A | 169 BPM | ||
Violin Concerto In E Minor, Op. 64, MWV O14: I. Allegro molto appassionato | Felix Mendelssohn, Anne-Sophie Mutter, Gewandhausorchester, Kurt Masur | E Minor | 1 | 9A | 81 BPM | ||
Legends, Op. 59, B. 122: VI. Allegro con moto | Antonín Dvořák, Cristian Măcelaru, WDR Sinfonieorchester | C Minor | 1 | 5A | 72 BPM | ||
Jazz Suite No.2: 7. Dance II | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | D Major | 1 | 10B | 84 BPM | ||
String Quartet No. 2 in D Major: IV. Finale: Andante - Vivace | Alexander Borodin, Budapest Haydn Quartet | D Major | 2 | 10B | 120 BPM | ||
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": IV. Presto | Franz Schubert, Jerusalem Quartet | D Minor | 1 | 7A | 91 BPM | ||
Te Deum laudamus | Antonín Dvořák, Ewa Biegas, Orfeón Pamplonés, Orquesta Sinfonica de Navarra, Antoni Wit | B♭ Minor | 0 | 3A | 79 BPM |
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