"Violin Concerto No. 1 in A Minor, Op. 99 (Op. 77): I. Nocturne. Moderato" by Dmitri Shostakovich, Sergey Khachatryan, Orchestre National De France, Kurt Masur was released on October 31, 2006. Violin Concerto No. 1 in A Minor, Op. 99 (Op. 77): I. Nocturne. Moderato appears to be safe for all ages as it is not explicit. There are a total of 7 in the song's album "Shostakovich: Violin Concertos". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. In terms of popularity, Violin Concerto No. 1 in A Minor, Op. 99 (Op. 77): I. Nocturne. Moderato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto No. 1 in A Minor, Op. 99 (Op. 77): I. Nocturne. Moderato by Dmitri Shostakovich, Sergey Khachatryan, Orchestre National De France, Kurt Masur having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in A Minor, Op. 99 (Op. 77): IV. Burlesque. Allegro con Brio | Dmitri Shostakovich, Sergey Khachatryan, Orchestre National De France, Kurt Masur | D Major | 2 | 10B | 81 BPM | ||
4 Préludes - Orch. Poulenc: Fête donnée par des Chevaliers Normands | Erik Satie, Orchestre National De France, Charles Dutoit | D Major | 5 | 10B | 121 BPM | ||
Dvořák: Symphony No. 5 in F Major, Op. 76, B. 54: I. Allegro ma non troppo | Antonín Dvořák, Mariss Jansons, Oslo Philharmonic Orchestra | C Minor | 2 | 5A | 99 BPM | ||
Violin Concerto No. 2 in D Minor, Op. 22: II. Romance | Henryk Wieniawski, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 91 BPM | ||
Piano Quintet In A, Op.81, B. 155: 3. Scherzo (Furiant) (Molto vivace) | Antonín Dvořák, Menahem Pressler, Emerson String Quartet | A Major | 1 | 11B | 70 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: III. Allegro assai vivace | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Major | 1 | 11B | 122 BPM | ||
Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: II. Dresden in Ruins | Lev Atovmyan, Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | F Major | 0 | 7B | 146 BPM | ||
Piano Trio No. 1 in F Major, Op. 18: I. Allegro vivace | Camille Saint-Saëns, Joachim Trio | F Major | 1 | 7B | 99 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Minor | 2 | 6A | 94 BPM | ||
Mendelssohn: String Quartet No. 6 in F Minor, Op. 80, MWV R37: III. Adagio | Felix Mendelssohn, Artemis Quartet | D Major | 1 | 10B | 126 BPM |
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