"The Sleeping Beauty, Op. 66 : Pas De Caractere: Le Chat Botte Et La Chatte Blanche (Puss-in-Boots and the White Cat)" by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice was released on July 31, 1992. The duration of The Sleeping Beauty, Op. 66 : Pas De Caractere: Le Chat Botte Et La Chatte Blanche (Puss-in-Boots and the White Cat) is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. The Sleeping Beauty, Op. 66 : Pas De Caractere: Le Chat Botte Et La Chatte Blanche (Puss-in-Boots and the White Cat)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 65 in the song's album "Tchaikovsky: The Sleeping Beauty (Complete Ballet)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, The Sleeping Beauty, Op. 66 : Pas De Caractere: Le Chat Botte Et La Chatte Blanche (Puss-in-Boots and the White Cat) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Sleeping Beauty, Op. 66 : Pas De Caractere: Le Chat Botte Et La Chatte Blanche (Puss-in-Boots and the White Cat) by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ballet Suite No. 1 (Ed. Lev Atovmyan): V. Waltz - Joke (The Bolt) | Dmitri Shostakovich, Emin Khatchaturian, Moscow State Symphony Orchestra | C Major | 1 | 8B | 118 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Introduction | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | D♭ Major | 0 | 3B | 99 BPM | ||
Drigo: Pas-de-deux du Corsaire: No. 1, Introduction (Moderato assai - Andante) [for Adolphe Adam's ballet] | Riccardo Drigo, London Festival Ballet Orchestra, Terence Kern | A♭ Major | 1 | 4B | 131 BPM | ||
Act III: Variation 2 (Minkus) | Mariinsky Orchestra | C Major | 3 | 8B | 177 BPM | ||
Coppelia: Act III - Danse de fete | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 72 BPM | ||
Carmen Suite No. 1: 2. Aragonaise | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Minor | 0 | 7A | 120 BPM | ||
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
アルミードの館 | Alexander Tcherepnin, Moscow Symphony Orchestra, Henry Shek | E Minor | 1 | 9A | 147 BPM | ||
The Sleeping Beauty, Op. 66, TH 13 / Act 1: 6. Valse | Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti | B♭ Major | 2 | 6B | 102 BPM | ||
Raymonda, Act I: Variation 3 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | G Major | 1 | 9B | 82 BPM |
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