Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra's 'Les plaisirs démodés (Arr. for Cello and Orchestra by Martin Ulikhanyan)' came out on May 17, 2024. The duration of Les plaisirs démodés (Arr. for Cello and Orchestra by Martin Ulikhanyan) is about 3 minutes long, at 3:21. Based on our data, "Les plaisirs démodés (Arr. for Cello and Orchestra by Martin Ulikhanyan)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 16 in Aznavouriana by Camille Thomas. Going off of the ISRC code of this track, we detected that the origin of this track is from Armenia. Les plaisirs démodés (Arr. for Cello and Orchestra by Martin Ulikhanyan) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les plaisirs démodés (Arr. for Cello and Orchestra by Martin Ulikhanyan) by Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Black Sorrow | Christian Lindberg, Símon Bolívar Symphony Orchestra | F♯ Minor | 1 | 11A | 65 BPM | ||
Appalachian Spring - Suite: II. Allegro - 1945 Version for 13 Instruments | Aaron Copland, Oxalys | C Major | 1 | 8B | 121 BPM | ||
Estancia, Op. 8: Scene 1, El Amanecer - Pegueña danza | Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo | C Major | 4 | 8B | 144 BPM | ||
Scenes from the Epic of Gilgamesh: I. Prologue | Robert Saxton, English Symphony Orchestra, Kenneth Woods | A Minor | 1 | 8A | 117 BPM | ||
Piano Sonata No. 2 in B-Flat Minor, Op. 35: III. Marche funèbre (Arr. Franchomme for 4 Cellos) | Frédéric Chopin, Camille Thomas, Wolfgang Emanuel Schmidt, Jaemin Han, Frans Helmerson | B Minor | 0 | 10A | 69 BPM | ||
Renaissance Concerto: III. Recitative (After Monteverdi) | Lukas Foss, Amy Porter, Buffalo Philharmonic Orchestra, Joann Falletta | A Minor | 1 | 8A | 147 BPM | ||
Illusion, Op. 1, No. 2 | Selim Palmgren, Camerata Finlandia, Jorma Panula | E Minor | 0 | 9A | 172 BPM | ||
Lim Fantasy of Companionship Suite for Piano, Flute and Strings Octet, Act I: Transition to Origins | Manu Martin, Mark Bebbington, Royal Philharmonic Orchestra | G Major | 3 | 9B | 136 BPM | ||
Suite in G Major, P. 58 (Original Version): III. Pastorale: Andante molto sostenuto | Ottorino Respighi, Kyler Brown, Chamber Orchestra of New York, Salvatore Di Vittorio | D Minor | 1 | 7A | 104 BPM | ||
Shadows on the Abandoned Street: Second Movement | Shota Ikeda | D Minor | 4 | 7A | 128 BPM |
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