Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo made "Estancia, Op. 8: Scene 1, El Amanecer - Pegueña danza" available on September 14, 2023. With Estancia, Op. 8: Scene 1, El Amanecer - Pegueña danza being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 15 in Fandango by Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Anne Akiko Meyers, Gustavo Castillo. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Estancia, Op. 8: Scene 1, El Amanecer - Pegueña danza's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Estancia, Op. 8: Scene 1, El Amanecer - Pegueña danza by Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlésienne Suite No. 2: IV. Farandole (Arr. E. Guirand for Orchestra) | Ernest Guiraud, Georges Bizet, Yomiuri Nippon Symphony Orchestra, Kazuo Yamada | E♭ Major | 1 | 5B | 84 BPM | ||
La doña del hotel | Gabriel Andrés Gallegos, Budapest Art Orchestra | E Major | 0 | 12B | 84 BPM | ||
First Movement Molto Moderato | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | D Major | 2 | 10B | 74 BPM | ||
Ultimate Sacrifice-Freedom (5m21-22) | John Powell | B♭ Major | 2 | 6B | 95 BPM | ||
Appalachian Spring - 1945 Suite: 4. Fast: The Revivalist and his Flock | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | E Major | 1 | 12B | 118 BPM | ||
Adès: Dante, Pt. I "Inferno": IV. Pavan of the Souls in Limbo— | Thomas Adès, Los Angeles Philharmonic, Gustavo Dudamel, Los Angeles Master Chorale | A Minor | 0 | 8A | 107 BPM | ||
Symphony No. 5 In C Minor, Op. 67: 3. Allegro | Ludwig van Beethoven, Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel | F Minor | 0 | 4A | 80 BPM | ||
"West Side Story" - Symphonic Dances: VIII. Rumble - Live | Leonard Bernstein, Los Angeles Philharmonic | E♭ Major | 4 | 5B | 82 BPM | ||
The White Horse: Into The Sunset (End Title From "Dragonslayer") | Cincinnati Pops Orchestra, Erich Kunzel | F Major | 0 | 7B | 79 BPM | ||
Cinderella Suite No. 2, Op. 108: VII. Galop | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Minor | 2 | 7A | 77 BPM |
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