Aaron Copland, Los Angeles Philharmonic, Zubin Mehta made "Appalachian Spring - 1945 Suite: 4. Fast: The Revivalist and his Flock" available on January 1, 1996. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 30 in Copland: Appalachian Spring; Lincoln Portrait; Fanfare; Rodeo, etc. by Aaron Copland, Zubin Mehta, Antal Doráti, Sir Neville Marriner, Traditional. In terms of popularity, Appalachian Spring - 1945 Suite: 4. Fast: The Revivalist and his Flock is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Appalachian Spring - 1945 Suite: 4. Fast: The Revivalist and his Flock by Aaron Copland, Los Angeles Philharmonic, Zubin Mehta is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Old American Songs Set 2: 5. Ching-a-ring-ching-chaw (Arr. Copland) | Traditional, Aaron Copland, Marilyn Horne, English Chamber Orchestra, Carl Davis | D♭ Minor | 3 | 12A | 146 BPM | ||
Concerto For Clarinet & String Orchestra | Benny Goodman, Aaron Copland | D Minor | 2 | 7A | 85 BPM | ||
Sibelius: Symphony No. 7 in C Major, Op. 105: I. Adagio | Jean Sibelius, Royal Philharmonic Orchestra, Sir Thomas Beecham | C Major | 2 | 8B | 75 BPM | ||
Ravel: Daphnis et Chloé Suite No. 2, M. 57b: Pantomime | Maurice Ravel, Rotterdam Philharmonic Orchestra/Yannick Nézet-Séguin, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | D♭ Minor | 0 | 12A | 137 BPM | ||
Symphony in E Minor, Op. 32, "Gaelic Symphony": II. Alla siciliana - Allegro vivace - Andante | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | F Major | 0 | 7B | 122 BPM | ||
An der schönen blauen Donau, Op. 314 | Johann Strauss II, Zubin Mehta, Wiener Philharmoniker | D Major | 1 | 10B | 96 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Street Wakens - Morning Dance | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | G Major | 2 | 9B | 90 BPM | ||
Piano Concerto in F Major: III. Allegro agitato | George Gershwin, Orion Weiss, Buffalo Philharmonic Orchestra, Joann Falletta | A♭ Major | 2 | 4B | 87 BPM | ||
Concerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
The Planets, Op. 32: 6. Uranus, the Magician | Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit | C Major | 2 | 8B | 115 BPM |
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