Aaron Copland, Oxalys's 'Appalachian Spring - Suite: II. Allegro - 1945 Version for 13 Instruments' came out on May 3, 2024. The duration of Appalachian Spring - Suite: II. Allegro - 1945 Version for 13 Instruments is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Appalachian Spring - Suite: II. Allegro - 1945 Version for 13 Instruments's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "The American Album: Works by John Adams, Aaron Copland & Wynton Marsalis". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Belgium. Based on our statistics, Appalachian Spring - Suite: II. Allegro - 1945 Version for 13 Instruments's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Appalachian Spring - Suite: II. Allegro - 1945 Version for 13 Instruments by Aaron Copland, Oxalys having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fanfare for the Common Man | Aaron Copland, London Symphony Orchestra | B♭ Major | 2 | 6B | 55 BPM | ||
淡水暮色 - 小提琴曲 | 吕思清, 盛原 | D Major | 1 | 10B | 101 BPM | ||
Piano Quintet, Op. 92, SO 610: II. Andante lamentoso | Leo Ornstein, Jascha Nemtsov, Asasello Quartett | E♭ Major | 0 | 5B | 82 BPM | ||
Rivulet of Truth | Danke Timi Briggs | G Minor | 2 | 6A | 121 BPM | ||
I've Been Involved For Thirty Years | Federico Jusid | D Minor | 1 | 7A | 71 BPM | ||
泥酔? | 大島ミチル | A Major | 4 | 11B | 77 BPM | ||
Viajes Intergalacticos | Sirenas Celestiales | E♭ Minor | 2 | 2A | 81 BPM | ||
Sinfonia concertante: IV. Largo | Elia Cmiral, Gheorghe Zamfir, Czech Sinfonietta, Radek Baborak | D Minor | 4 | 7A | 170 BPM | ||
Introdução | O Rondó da Carpideira | F♯ Major | 0 | 2B | 170 BPM | ||
Violin Concerto in D Minor "Accademico": II. Adagio | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron, Jack Liebeck | G Major | 1 | 9B | 79 BPM |
Section: 0.5378003120422363
End: 0.5411882400512695