"Lim Fantasy of Companionship Suite for Piano, Flute and Strings Octet, Act I: Transition to Origins" by Manu Martin, Mark Bebbington, Royal Philharmonic Orchestra was released on April 26, 2024. With Lim Fantasy of Companionship Suite for Piano, Flute and Strings Octet, Act I: Transition to Origins being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Manu Martin, Mark Bebbington, Royal Philharmonic Orchestra's "Lim Fantasy of Companionship Suite for Piano, Flute and Strings Octet" album is number 2 out of 10. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Lim Fantasy of Companionship Suite for Piano, Flute and Strings Octet, Act I: Transition to Origins's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lim Fantasy of Companionship Suite for Piano, Flute and Strings Octet, Act I: Transition to Origins by Manu Martin, Mark Bebbington, Royal Philharmonic Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Hush | Sonic Piano Music | F Minor | 0 | 4A | 71 BPM | ||
淡水暮色 - 小提琴曲 | 吕思清, 盛原 | D Major | 1 | 10B | 101 BPM | ||
Survival | Edward Farmer, Martin Phipps | A♭ Major | 3 | 4B | 59 BPM | ||
The Day Is Setting (Nyt päivä laskee SL 318) | Laestadian Lutheran Church, Kaitlyn Huhta, Laurel Loukusa, Livie Hillukka, Ashley Niemela | G Minor | 1 | 6A | 67 BPM | ||
2 Pieces for Violin and Piano: No. 1, Nocturne (Arr. for Violin and Harp) | Lili Boulanger, Duo Arcos | F Major | 1 | 7B | 136 BPM | ||
Interwoven | Calista Velentzas, Kouros Bartel | G Major | 1 | 9B | 176 BPM | ||
Un amour sans fin | Cyrille Aufort | C Minor | 2 | 5A | 76 BPM | ||
I'll Bid My Heart Be Still (Version for Cello & Piano) | Rebecca Clarke, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 60 BPM | ||
Dark Dimensions | Debbie Wiseman | A Minor | 1 | 8A | 97 BPM | ||
Hope Is the Thing with Feathers | Christopher Tin, Voces8, Royal Philharmonic Orchestra, Barnaby Smith | G Major | 1 | 9B | 71 BPM |
Section: 0.5653443336486816
End: 0.5747277736663818