"Stravinsky: Petrushka, Pt. 4 "The Shrovetide Fair": Dance of the Wet Nurses (1947 Version)" by Igor Stravinsky, Yevgeny Svetlanov, Orchestre Philharmonique de Radio France was released on June 3, 2022. The duration of Stravinsky: Petrushka, Pt. 4 "The Shrovetide Fair": Dance of the Wet Nurses (1947 Version) is about 3 minutes long, at 3:18. Based on our data, "Stravinsky: Petrushka, Pt. 4 "The Shrovetide Fair": Dance of the Wet Nurses (1947 Version)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "Stravinsky: Petrushka - Svetlanov: Poem for Violin". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Stravinsky: Petrushka, Pt. 4 "The Shrovetide Fair": Dance of the Wet Nurses (1947 Version) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Stravinsky: Petrushka, Pt. 4 "The Shrovetide Fair": Dance of the Wet Nurses (1947 Version) by Igor Stravinsky, Yevgeny Svetlanov, Orchestre Philharmonique de Radio France having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 2 In G Minor, Op. 63: 2. Andante assai | Sergei Prokofiev, Gil Shaham, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 64 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
Prologue: Chorus of Exiled Palestinians | John Adams, Kent Nagano, The Opera De Lyon, London Opera Chorus | F Minor | 0 | 4A | 90 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: I. Allegro | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Minor | 3 | 9A | 119 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
3 Pieces in Old Style: No. 3. Menuetto II | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | D Major | 1 | 10B | 119 BPM | ||
Alpine Symphony: Night | Richard Strauss, Rico Saccani, Budapest Philharmonic Orchestra | B♭ Minor | 3 | 3A | 81 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Printemps, L. 61: II. Modéré | Claude Debussy, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | F♯ Minor | 2 | 11A | 103 BPM | ||
Symphony No.1 in D minor, Op.13: 2. Allegro animato | Sergei Rachmaninoff, Russian National Orchestra, Mikhail Pletnev | F Major | 0 | 7B | 94 BPM |
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