"La Damnation de Faust, Op. 24 / Part 3: "Je connais donc enfin"" by Hector Berlioz, Keith Lewis, Bryn Terfel, Anne Sofie von Otter, Philharmonia Orchestra, Myung-Whun Chung, Philharmonia Chorus, David Hill, Simon Halsey was released on January 1, 1998. With La Damnation de Faust, Op. 24 / Part 3: "Je connais donc enfin" being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 44 in Berlioz: La Damnation de Faust by Hector Berlioz, Anne Sofie von Otter, Bryn Terfel, Keith Lewis, Victor von Halem, Philharmonia Orchestra, Myung-Whun Chung. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. La Damnation de Faust, Op. 24 / Part 3: "Je connais donc enfin" is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of La Damnation de Faust, Op. 24 / Part 3: "Je connais donc enfin" by Hector Berlioz, Keith Lewis, Bryn Terfel, Anne Sofie von Otter, Philharmonia Orchestra, Myung-Whun Chung, Philharmonia Chorus, David Hill, Simon Halsey is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Appalachian Spring: VII. Doppio movimento | Aaron Copland, Leonard Bernstein, New York Philharmonic | D♭ Major | 1 | 3B | 78 BPM | ||
Concerto for Horn and Orchestra, Op. 91: II. Andante | Reinhold Glière, Sir Edward Downes, BBC Philharmonic, Richard Watkins | E♭ Major | 0 | 5B | 132 BPM | ||
Symphony No. 2 in D Major, Op. 43: III. Vivacissimo - | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | G Major | 1 | 9B | 122 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
Nocturnes, L. 91: 2. Fêtes | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | A Major | 2 | 11B | 79 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Gavotte | Sergei Prokofiev, Yuri Temirkanov | D Major | 0 | 10B | 129 BPM | ||
Symphony No. 2, Op. 9, "Antar": IV. Allegretto - Adagio | Nikolai Rimsky-Korsakov, St. Petersburg State Symphony Orchestra, Andre Anichanov | B Major | 2 | 1B | 100 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Der Held (The Hero) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | E♭ Major | 2 | 5B | 88 BPM |
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