"Concerto for Horn and Orchestra, Op. 91: II. Andante" by Reinhold Glière, Sir Edward Downes, BBC Philharmonic, Richard Watkins was released on June 1, 1995. Concerto for Horn and Orchestra, Op. 91: II. Andante is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. The track order of this song in Reinhold Glière, Sir Edward Downes, BBC Philharmonic, Richard Watkins's "Gliere: Horn Concerto & Bronze Horseman Suite" album is number 15 out of 16. Based on our statistics, Concerto for Horn and Orchestra, Op. 91: II. Andante's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto for Horn and Orchestra, Op. 91: II. Andante by Reinhold Glière, Sir Edward Downes, BBC Philharmonic, Richard Watkins to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Pieces, Op. 39: No. 4. Canzonetta | Reinhold Glière, Felix Froschhammer, Florian Rohn | B♭ Major | 2 | 6B | 121 BPM | ||
Schumann: Träumerei | Robert Schumann, Mischa Elman, Joseph Seiger | F Major | 1 | 7B | 85 BPM | ||
Piano Concerto in A Minor, Op.16: III. Allegro moderato molto e marcato | Edvard Grieg, Javier Perianes, BBC Symphony Orchestra, Sakari Oramo | F Major | 2 | 7B | 114 BPM | ||
Suite in the Old Style: II. Ballet | Alfred Schnittke, Daniel Hope, Alexey Botvinov | D Major | 3 | 10B | 117 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Prelude a l'apres-midi d'un faune (feat. Andrew Davis) | Jeanne Baxtresser | A♭ Minor | 2 | 1A | 169 BPM | ||
Piano Concerto in E, Op. 59: III. Scherzo – Vivace | Moritz Moszkowski, Joseph Moog, Nicholas Milton, Deutsche Radio Philharmonie Saarbrücken Kaiserslautern | E Major | 2 | 12B | 81 BPM | ||
12 Pieces, Op. 51: No. 10 in B Minor: Con tristezza | Reinhold Glière, Martin Rummel, Till Alexander Körber | B Minor | 2 | 10A | 173 BPM | ||
Cello Sonata in G Minor, Op. 19: IV. Allegro mosso | Sergei Rachmaninoff, Gautier Capuçon, Yuja Wang | G Major | 1 | 9B | 77 BPM | ||
Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | B♭ Major | 8 | 6B | 140 BPM |
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