- BPM
- 173
- Key
- B Minor
- Camelot
- 10A
12 Pieces, Op. 51: No. 10 in B Minor: Con tristezza - Reinhold Glière, Martin Rummel, Till Alexander Körber Information
- Acousticness
- 99%
- Danceability
- 20%
- Energy
- 16%
- Instrumentalness
- 91%
- Liveness
- 11%
- Loudness
- 74%
- Speechiness
- 5%
- Valence
- 32%
- Popularity
- 1%
- Loudness
- -15.756 dB
Summary
Reinhold Glière, Martin Rummel, Till Alexander Körber's '12 Pieces, Op. 51: No. 10 in B Minor: Con tristezza' came out on January 1, 2013. The duration of 12 Pieces, Op. 51: No. 10 in B Minor: Con tristezza is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. 12 Pieces, Op. 51: No. 10 in B Minor: Con tristezza's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Reinhold Glière, Martin Rummel's "Glière: Complete Duets with Cello" album is number 29 out of 31. The popularity of 12 Pieces, Op. 51: No. 10 in B Minor: Con tristezza is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
12 Pieces, Op. 51: No. 10 in B Minor: Con tristezza BPM
We consider the tempo marking of 12 Pieces, Op. 51: No. 10 in B Minor: Con tristezza by Reinhold Glière, Martin Rummel, Till Alexander Körber to be Vivace (lively and fast) because the track has a tempo of 173 BPM, a half-time of 86BPM, and a double-time of 346 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
12 Pieces, Op. 51: No. 10 in B Minor: Con tristezza Key
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Holst: St. Paul's Suite, Op. 29 No. 2: I. Jig | Gustav Holst, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 2 | 9B | 151 BPM | |
 | Concerto No. 2 for Piano and Orchestra, Op. 102 (Remastered): II. Andante | Dmitri Shostakovich, Leonard Bernstein | F Major | 1 | 7B | 172 BPM | |
 | Étude No. 3: Ballade | Marie Awadis | B Major | 0 | 1B | 94 BPM | |
 | 8 Pieces, Op. 39: VI. Impromptu | Reinhold Glière, Sonia Wieder-Atherton, Raphaël Oleg | F Major | 0 | 7B | 131 BPM | |
 | 10 Preludes, Op. 23, No. 10: Largo in G-Flat Major (Arr. for Cello & Piano by Julian Riem) | Sergei Rachmaninoff, Raphaela Gromes, Julian Riem | F♯ Major | 0 | 2B | 90 BPM | |
 | Melody, Op. 20, No. 1 | Alexander Glazunov, Jan Vogler, Helmut Branny | D Major | 2 | 10B | 85 BPM | |
 | Piano Trio No. 1 in D minor, Op. 32: 3. Elegia: Adagio | Anton Arensky, Beaux Arts Trio | D Major | 2 | 10B | 77 BPM | |
 | Allegro in D Major, K. 626b/16 | Wolfgang Amadeus Mozart, Seong-Jin Cho | D Major | 1 | 10B | 137 BPM | |
 | 25 Études faciles et progressives, Op. 100: No. 3, La pastorale | Franz Burgmüller, Carl Petersson | G Major | 1 | 9B | 106 BPM | |
 | Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5203912258148193
End: 0.5249373912811279