On December 15, 2023, the song "Flute Sonata in G Major No. 6, Op. 1: IV. Variazione 1 (Recomposed by Luca Astolfoni Fossi)" was released by Anna Bon, Claudio Ferrarini. With Flute Sonata in G Major No. 6, Op. 1: IV. Variazione 1 (Recomposed by Luca Astolfoni Fossi) being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 20 in B. Galuppi - A. Bon - G. Tartini - G. B. Pergolesi: Sonata in Venetian Style (Recomposed by Luca Astolfoni Fossi) by Claudio Ferrarini. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Flute Sonata in G Major No. 6, Op. 1: IV. Variazione 1 (Recomposed by Luca Astolfoni Fossi) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Flute Sonata in G Major No. 6, Op. 1: IV. Variazione 1 (Recomposed by Luca Astolfoni Fossi) by Anna Bon, Claudio Ferrarini is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata In D Major For Flute And Continuo, HWV 378: IV. Allegro | George Frideric Handel, Luc Beauséjour, Marie-Céline Labbé, Amanda Keesmaat | D♭ Major | 0 | 3B | 63 BPM | ||
Sinfonia da camera in G Minor, Op. 2 No. 3: III. Adagio | Nicola Porpora, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Hamburg Symphony No. 5 in B Minor, Wq. 182: II. Larghetto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Sinfonia in C major: II. Adagio | Domenico Scarlatti, Margret Köll/Europa Galante/Fabio Biondi, Europa Galante | F♯ Major | 0 | 2B | 36 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Polonaise | Cologne Chamber Orchestra | A Minor | 0 | 8A | 95 BPM | ||
Sinfonia Nо. 2 in do maggiore (Il battista): IV. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | D Major | 3 | 10B | 123 BPM | ||
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): IV. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 87 BPM | ||
Concerto for Trumpet, 2 Oboes, Strings and Continuo: II. Largo | Johann Friedrich Fasch, Giuliano Sommerhalder, Kammerorchester Basel, Julia Schröder | D♭ Major | 1 | 3B | 81 BPM | ||
Flute Sonata No. 3 in B Major, Op. 1: I. Andantino | Anna Bon, Silvia Moroni, Stefano Rocco | F♯ Minor | 0 | 11A | 94 BPM | ||
Concerto in G major Seibel 214 - Darmstadt 1715: 3. Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 2 | 2B | 119 BPM |
Section: 0.7791347503662109
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