"Flight, Concerto for Violin & Strings: I" by Oliver Davis, Kerenza Peacock, London Symphony Orchestra, Paul Bateman was released on March 3, 2015. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Oliver Davis: Flight". In this album, this song's track order is #1. In terms of popularity, Flight, Concerto for Violin & Strings: I is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Flight, Concerto for Violin & Strings: I by Oliver Davis, Kerenza Peacock, London Symphony Orchestra, Paul Bateman having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata For Violin And Continuo III: Imitazione delle Campane (Arr. Badzura) | Johann Paul Von Westhoff, Daniel Hope, Deutsches Kammerorchester Berlin | A Minor | 1 | 8A | 82 BPM | ||
I Capuleti e i Montecchi: Oh quante volte (Arr. for Cello & Orchestra) | Vincenzo Bellini, Ophélie Gaillard, Morphing Chamber Orchestra, Frédéric Chaslin | G Minor | 2 | 6A | 92 BPM | ||
24 Preludes for Violin and Piano, Op. 46: No. 8 Andante | Lera Auerbach, Daniel Hope, Jacques Ammon | D Major | 0 | 10B | 82 BPM | ||
Nocturne No. 2 in C Minor, H.25 | John Field, Elizabeth Joy Roe | C Minor | 1 | 5A | 80 BPM | ||
Bear Story II | Luke Howard | B♭ Minor | 3 | 3A | 67 BPM | ||
DANCE: I. when you're broken open | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | F Major | 1 | 7B | 69 BPM | ||
Le Tic-Toc-Choc | François Couperin, Sarah O'Brien | A Major | 1 | 11B | 87 BPM | ||
Lara | Alice Sara Ott, Deutsches Kammerorchester Berlin, Samy Moussa | F Major | 3 | 7B | 111 BPM | ||
Dreaming, Op. 15 No. 3 | Amy Beach, Ambache | F Major | 0 | 7B | 75 BPM | ||
Memories of Rivendell - From "The Lord of the Rings" | Howard Shore, Kian Soltani | E Minor | 1 | 9A | 78 BPM |
Section: 0.7090585231781006
End: 0.7131526470184326