"DANCE: I. when you're broken open" by Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop was released on June 5, 2020. With this song being about 5 minutes long, at 4:44, "DANCE: I. when you're broken open" by Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 9 in Anna Clyne: DANCE - Edward Elgar: Cello Concerto by Inbal Segev, London Philharmonic Orchestra, Marin Alsop. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. DANCE: I. when you're broken open is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of DANCE: I. when you're broken open by Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Siete canciones populares españolas: No. 5 Nana | Manuel de Falla, Amy Dickson | A Major | 0 | 11B | 69 BPM | ||
Concerto for Lute, 2 Violins and Continuo in D major, RV 93: 2. Largo (Arr. for Guitar) | Antonio Vivaldi, Eduardo Fernandez, English Chamber Orchestra, George Malcolm | D Major | 1 | 10B | 170 BPM | ||
Mid Air | GÅEL | C Major | 0 | 8B | 112 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
4 Postludes for Piano & String Orchestra: No. 2. Moderato, con moto (poco rubato) | Valentin Silvestrov, Elisaveta Blumina, Stuttgart Chamber Orchestra, Thomas Sanderling | F♯ Major | 0 | 2B | 78 BPM | ||
Martyrdom (Movement 1) | Calum Martin, Hugh Wilson, Craig Armstrong, Cecilia Weston, Scottish Ensemble, Daniel Pioro | G Major | 1 | 9B | 70 BPM | ||
DANCE: IV. in your blood | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | C Major | 3 | 8B | 68 BPM | ||
Sospiri, Op. 70 | Edward Elgar, English Chamber Orchestra, Osian Ellis, Paul Goodwin | F Major | 0 | 7B | 113 BPM | ||
La Vierge / Scene 4: The Assumption: Le dernier sommeil de la Vièrge (The Last Sleep of the Virgin) | Jules Massenet, The New Symphony Orchestra Of London, Raymond Agoult | G Major | 1 | 9B | 82 BPM | ||
Miniature No. 7 | Giya Kancheli, Andrea Cortesi, Marco Venturi | F♯ Minor | 0 | 11A | 78 BPM |
Section: 0.715397834777832
End: 0.7202274799346924