"Dies iræ, S. 31: Lacrymosa dies illa" by Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé was released on February 4, 2022. The duration of Dies iræ, S. 31: Lacrymosa dies illa is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Dies iræ, S. 31: Lacrymosa dies illa's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé's "Michel-Richard de Lalande: Grands Motets, Dies irae, Miserere, Veni creator" album is number 11 out of 38. On top of that, France appears to be the country where this track was created. Based on our statistics, Dies iræ, S. 31: Lacrymosa dies illa's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dies iræ, S. 31: Lacrymosa dies illa by Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 7, La douceur | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Stabat Mater in G Minor: VII. Sancta Mater | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | B Minor | 0 | 10A | 57 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Sarabande pour les Peuples d’Amathonte | Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Major | 0 | 4B | 84 BPM | ||
Motetto per ogni Tempo: IV. Aria. Amen | František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Cantata VII: Ad faciem (To the Face): Cum me jubes emigrare - Chorus | The Sixteen | B Minor | 1 | 10A | 91 BPM | ||
Concerto in C Minor, Op. 6 No. 3: III. Grave | Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder | B♭ Minor | 2 | 3A | 70 BPM | ||
Le carnaval du Parnasse: Air lent et gracieux | Jean-Joseph Cassanéa De Mondonville, Le Concert Spirituel, Herve Niquet | D♭ Major | 0 | 3B | 117 BPM | ||
Nisi Dominus aedificaverit, S. 42: No. 1, Nisi Dominus aedificaverit domum (Remastered 2022) | Michel Richard Delalande, Andre Meurant, Jean-Jacques Lesueur, Jean-Marie Leclair Instrumental Ensemble, Louis Frémaux | A♭ Minor | 3 | 1A | 85 BPM | ||
Sonata da chiesa a tre in F Major, Op. 1 No. 1: II. Allegro | Arcangelo Corelli, The Avison Ensemble, Pavlo Beznosiuk | E♭ Major | 2 | 5B | 105 BPM | ||
Filen, mio caro bene, HanS 263: III. Chiedi pur ai monti (Aria) | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700, Helena Rasker | F♯ Minor | 1 | 11A | 98 BPM |
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