"Die Schone Magelone: No. 12 Muss Es Eine Trennung" by Johannes Brahms, Idil Biret was released on December 31, 1995. The duration of Die Schone Magelone: No. 12 Muss Es Eine Trennung is about 3 minutes long, at 3:29. Based on our data, "Die Schone Magelone: No. 12 Muss Es Eine Trennung" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 29 in Brahms: Waltzes / Cadenzas / Die Schone Magelone by Johannes Brahms. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Die Schone Magelone: No. 12 Muss Es Eine Trennung is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Die Schone Magelone: No. 12 Muss Es Eine Trennung by Johannes Brahms, Idil Biret is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM | ||
4 Morceaux, Op. 56: No. 2, Romance | Anton Arensky, Dmitrii Khrychev, Olga Solovieva | D Major | 0 | 10B | 100 BPM | ||
Bagatelles et impromptus: VII. Love | Bedřich Smetana, William Howard | A Major | 0 | 11B | 71 BPM | ||
Barcarolle, Op.65 No.6 | Charles-Valentin Alkan, Jack Gibbons | G Minor | 0 | 6A | 113 BPM | ||
Prelude No. 1 | Federico Mompou, Stephen Hough | E♭ Major | 0 | 5B | 82 BPM | ||
Widmung, Op. 25 No. 1 (Arr. Franz Liszt) | Robert Schumann, Martin James Bartlett | A♭ Major | 0 | 4B | 74 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Lyric Pieces, Op. 38: VIII. Kanon - Allegretto con moto | Edvard Grieg, Javier Perianes | E♭ Minor | 0 | 2A | 82 BPM | ||
Saint-Saëns: Allegro appassionato, Op. 70 | Camille Saint-Saëns, Bertrand Chamayou | D Major | 1 | 10B | 101 BPM | ||
Soirées musicales Op. 6: II. Notturno | Clara Schumann, Mika Sasaki | F Major | 0 | 7B | 74 BPM |
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