Peter Grimes, Op. 33 / Act 1: "We Live and Let Live" - Benjamin Britten, James Pease, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden Information

Acousticness: 98%
Danceability: 27%
Energy: 8%
Instrumentalness: 0%
Liveness: 15%
Loudness: 63%
Speechiness: 4%
Valence: 20%
Popularity: 4%
Loudness: -22.104 dB

Summary

Benjamin Britten, James Pease, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden's 'Peter Grimes, Op. 33 / Act 1: "We Live and Let Live"' had a release date set for January 1, 1959. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 15 out of 45 in Britten: Peter Grimes by Benjamin Britten, Sir Peter Pears, Claire Watson, Orchestra of the Royal Opera House, Covent Garden. Peter Grimes, Op. 33 / Act 1: "We Live and Let Live" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Peter Grimes, Op. 33 / Act 1: "We Live and Let Live" BPM

The tempo marking of Peter Grimes, Op. 33 / Act 1: "We Live and Let Live" by Benjamin Britten, James Pease, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Peter Grimes, Op. 33 / Act 1: "We Live and Let Live" Key

F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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A Hymn to the Virgin	Benjamin Britten, Phoenix Chorale, Charles Bruffy, Kira Rugen, Amy Perciballi, Robert Comeaux, David Topping	E Major	0	12B	81 BPM
In the Steppes of Central Asia	Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy	A Major	0	11B	69 BPM
5 Preludes: No. 4. Andante con moto	William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones	E Major	0	12B	0 BPM
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	F♯ Major	0	2B	69 BPM
Symphony No. 7 in D Minor, Op. 70, B. 141: III. Scherzo. Vivace - Poco meno mosso	Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis	G Major	1	9B	174 BPM
Elgar: Sea Pictures, Op. 37: No. 3, A Sabbath Morning at Sea	Edward Elgar, Janet Baker, London Symphony Orchestra, Sir John Barbirolli	C Major	1	8B	86 BPM
Rhapsodie Orientale, Op. 29: 1. Andante	Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit	D♭ Major	0	3B	89 BPM
Phaéton, Op.39	Camille Saint-Saëns, Philharmonia Orchestra, Charles Dutoit	E♭ Major	1	5B	80 BPM
Brandenburg Concerto No. 1 in F, BWV 1046: 5. Polacca; Trio II	Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten	B♭ Major	1	6B	109 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records