The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 14: Canon per Augmentationem in contrario motu - Johann Sebastian Bach, Philip Setzer, David Finckel Information

Acousticness: 91%
Danceability: 16%
Energy: 3%
Instrumentalness: 49%
Liveness: 12%
Loudness: 56%
Speechiness: 6%
Valence: 17%
Popularity: 9%
Loudness: -26.652 dB

Summary

"The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 14: Canon per Augmentationem in contrario motu" by Johann Sebastian Bach, Philip Setzer, David Finckel was released on January 1, 2003. Since The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 14: Canon per Augmentationem in contrario motu is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 20 out of 22 in Bach, J.S.: The Art of Fugue - Emerson String Quartet by Johann Sebastian Bach, Emerson String Quartet. The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 14: Canon per Augmentationem in contrario motu is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 14: Canon per Augmentationem in contrario motu BPM

The tempo marking of The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 14: Canon per Augmentationem in contrario motu by Johann Sebastian Bach, Philip Setzer, David Finckel is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 14: Canon per Augmentationem in contrario motu Key

This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

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Nocturne No. 2 in C Minor	John Field, Benjamin Frith	C Minor	0	5A	67 BPM
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Sonata in D Minor, Kk.64	Domenico Scarlatti, Alexandre Tharaud	D Minor	2	7A	100 BPM
Suite from Dardanus: Le Monstre sortant des flots	Jean-Philippe Rameau, Nicholas McGegan, Philharmonia Baroque Orchestra	A Major	4	11B	111 BPM
24 Caprices, Op.1 (2000 - Remaster): No. 10 in G Minor	Niccolò Paganini, Itzhak Perlman	G Minor	4	6A	101 BPM
Handel: Organ Concerto in F Major, Op. 4 No. 4, HWV 292: II. Andante	George Frideric Handel, Valda Aveling, Menuhin Festival Orchestra, Simon Preston, Yehudi Menuhin	A Major	1	11B	118 BPM
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro)	Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach	E Minor	1	9A	81 BPM
Suite in D Minor, HWV 447: Allemande	George Frideric Handel, David Greilsammer	D Minor	1	7A	74 BPM
Concerto Grosso In F Major, Op. 6, No. 2: I. Vivace - Allegro - Adagio - Vivace - Allegro - Largo Andante	Arcangelo Corelli, Quido Holbling, Ludovit Kanta, Anna Holbling, Daniela Ruso, Capella Istropolitana	F Major	2	7B	131 BPM
Concerto for Violoncello and Orchestra in D major: III. Larghetto, con poco moto	Leonardo Leo, Sol Gabetta, Andrés Gabetta	B Minor	0	10A	77 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6086428165435791

End: 0.6122045516967773