Niccolò Paganini, Itzhak Perlman made "24 Caprices, Op.1 (2000 - Remaster): No. 10 in G Minor" available on February 1, 2000. The duration of 24 Caprices, Op.1 (2000 - Remaster): No. 10 in G Minor is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. 24 Caprices, Op.1 (2000 - Remaster): No. 10 in G Minor's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Paganini: 24 Caprices". In this album, this song's track order is #10. In terms of popularity, 24 Caprices, Op.1 (2000 - Remaster): No. 10 in G Minor is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With 24 Caprices, Op.1 (2000 - Remaster): No. 10 in G Minor by Niccolò Paganini, Itzhak Perlman having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scent of a Woman: Tango (Por Una Cabeza) | Carlos Gardel, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra | G Minor | 1 | 6A | 118 BPM | ||
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM | ||
Brahms: Violin Sonata No. 3 in D Minor, Op. 108: II. Adagio | Johannes Brahms, Itzhak Perlman | D Major | 1 | 10B | 98 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: I. Allegro molto appassionato | Felix Mendelssohn, Bernard Haitink | E Minor | 2 | 9A | 96 BPM | ||
Violin Concerto In D Minor, Op.47: 3. Allegro, ma non tanto | Jean Sibelius, Pinchas Zukerman, London Philharmonic Orchestra, Daniel Barenboim | D Major | 3 | 10B | 105 BPM | ||
Guitarre, Op. 45 No. 2 | Moritz Moszkowski, Mela Tenenbaum, Anton Nel | G Major | 1 | 9B | 123 BPM | ||
Mosè-fantasia, Op. 24, MS 23 (Arr. for Violin & Orchestra by Italo Vescovo): Recitativo - Moderato - Allegro - Preghiera | Niccolò Paganini, Luca Fanfoni, I Musici di Parma Orchestra, Antonio De Lorenzi | F Minor | 1 | 4A | 86 BPM | ||
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): II. Adagio | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Minor | 2 | 8A | 108 BPM | ||
Four Horsemen of the Apocalypse: Theme | André Previn, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra | A Major | 1 | 11B | 83 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 3 | 5B | 123 BPM |
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