Moritz Moszkowski, Mela Tenenbaum, Anton Nel's 'Guitarre, Op. 45 No. 2' came out on 2011. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 81 in the song's album "The Romantic Age, 500 Years of Classical Music". In this album, this song's track order is #30. Based on our statistics, Guitarre, Op. 45 No. 2's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Guitarre, Op. 45 No. 2 by Moritz Moszkowski, Mela Tenenbaum, Anton Nel having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Précieuse (in the style of Louis Couperin) | Fritz Kreisler, Joshua Bell, Paul Coker | D Major | 1 | 10B | 80 BPM | ||
Glazunov: Violin Concerto in A Minor, Op. 82: II. Andante sostenuto | Alexander Glazunov, Itzhak Perlman, Zubin Mehta, Israel Philharmonic Orchestra | A♭ Major | 2 | 4B | 108 BPM | ||
Violin Sonata No. 3 in C Major, BWV 1005: I. Adagio | Johann Sebastian Bach, Hilary Hahn | C Major | 1 | 8B | 90 BPM | ||
Piano Trio No. 2 in C Minor, Op. 66, MWV Q33: II. Andante espressivo | Felix Mendelssohn, Julia Fischer, Jonathan Gilad, Daniel Müller-Schott | E♭ Major | 0 | 5B | 81 BPM | ||
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): II. Adagio | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Minor | 2 | 8A | 108 BPM | ||
6 Morceaux, Op. 83: I. Elégie | Moritz Moszkowski, Seta Tanyel | D♭ Major | 1 | 3B | 74 BPM | ||
The Last Rose of Summer, "Polyphonic Study No. 6": Introduction. Moderato - Tema. Andante non troppo - Variations I, II, III, IV - Finale | Heinrich Wilhelm Ernst, Ning Feng | G Major | 1 | 9B | 115 BPM | ||
Zigeunerweisen, Op. 20 (version for violin and orchestra): I. Moderato | RCA Victor Symphony Orchestra & William Steinberg | A Minor | 0 | 8A | 96 BPM | ||
Schumann Romance in A Major, Op.94 No.2: Robert Schumann | Mela Tenenbaum | A Major | 1 | 11B | 80 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | D Major | 3 | 10B | 112 BPM |
Section: 0.7720673084259033
End: 0.7754669189453125