Paul Hindemith, Kim Kashkashian's 'Sonata For Viola Solo No. 1, Op.25: 1. Breit - Sehr frisch und straff' came out on April 25, 1988. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Paul Hindemith, Kim Kashkashian, Robert Levin's "Hindemith: Sonatas For Viola Alone / Piano And Viola Alone" album is number 4 out of 24. On top of that, Germany appears to be the country where this track was created. Sonata For Viola Solo No. 1, Op.25: 1. Breit - Sehr frisch und straff is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata For Viola Solo No. 1, Op.25: 1. Breit - Sehr frisch und straff by Paul Hindemith, Kim Kashkashian to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 0 | 3B | 104 BPM | ||
Clarinet Sonata in E-Flat Major, Op. 167: III. Lento | Camille Saint-Saëns, Kimball Sykes, Stephane Lemelin | G Minor | 0 | 6A | 73 BPM | ||
Plöner Musiktag: Abendkonzert: II. Flötensolo mit Streichern for Flute and Strings | Paul Hindemith, Stathis Karapanos, Schleswig-Holstein Festival Orchestra, Christoph Eschenbach | F Minor | 0 | 4A | 75 BPM | ||
Hary Janos Suite: Háry János Suite: V. Intermezzo | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | D Minor | 1 | 7A | 109 BPM | ||
Sonatina for Violin & Piano, Op. 6: II. Sempre senza vibrato | Heinz Roemheld, Patrick Savage, Martin Cousin | D♭ Major | 1 | 3B | 92 BPM | ||
Passacaglia | Rebecca Clarke, Philip Dukes, Sophia Rahman | C Minor | 1 | 5A | 78 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
44 Duos For Two Violins, Sz. 98: 15. Katonanóta | Béla Bartók, Daniel Hope, Daniel Lozakovich | D Major | 0 | 10B | 0 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 3. Finale (Allegro molto) | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | F♯ Minor | 0 | 11A | 84 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM |
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