Rinaldo / Act 2: Aria: Basta che sol tu chieda
George Frideric Handel, Gerald Finley, Academy of Ancient Music, Christopher Hogwood
Handel: Rinaldo (Original 1711 Version)
2:17 October 16, 2000
BPM
119
Key
D♭ Minor
Camelot
12A

Embed

Share Link

Rinaldo / Act 2: Aria: Basta che sol tu chieda - George Frideric Handel, Gerald Finley, Academy of Ancient Music, Christopher Hogwood Information

Acousticness
93%
Danceability
42%
Energy
22%
Instrumentalness
0%
Liveness
54%
Loudness
69%
Speechiness
6%
Valence
63%
Popularity
Loudness
-18.879 dB

Summary

George Frideric Handel, Gerald Finley, Academy of Ancient Music, Christopher Hogwood made "Rinaldo / Act 2: Aria: Basta che sol tu chieda" available on October 16, 2000. The duration of Rinaldo / Act 2: Aria: Basta che sol tu chieda is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Rinaldo / Act 2: Aria: Basta che sol tu chieda's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Cecilia Bartoli, David Daniels, Academy of Ancient Music, Christopher Hogwood's "Handel: Rinaldo (Original 1711 Version)" album is number 14 out of 82. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Rinaldo / Act 2: Aria: Basta che sol tu chieda is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Rinaldo / Act 2: Aria: Basta che sol tu chieda BPM

We consider the tempo marking of Rinaldo / Act 2: Aria: Basta che sol tu chieda by George Frideric Handel, Gerald Finley, Academy of Ancient Music, Christopher Hogwood to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Rinaldo / Act 2: Aria: Basta che sol tu chieda Key

This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Concerto for Strings in D Minor, RV 127: III. Allegro by Antonio Vivaldi, Accademia I Filarmonici, Alberto MartiniConcerto for Strings in D Minor, RV 127: III. AllegroAntonio Vivaldi, Accademia I Filarmonici, Alberto MartiniB♭ Major56B124 BPM
Capriol Suite: 5. Pied-en- l'air by Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerCapriol Suite: 5. Pied-en- l'airPeter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerG Major19B113 BPM
Oboe Concerto in D Minor: II. Adagio by Alessandro Marcello, Jozsef Kiss, Budapest Ferenc Erkel Chamber OrchestraOboe Concerto in D Minor: II. AdagioAlessandro Marcello, Jozsef Kiss, Budapest Ferenc Erkel Chamber OrchestraD Minor17A131 BPM
Sinfonia in E major, RV 132: II. Andante by Karoly BotvaySinfonia in E major, RV 132: II. AndanteKaroly BotvayA Major011B79 BPM
Mass No. 7 in B-Flat Major, Hob. XXII:7, Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): KyrieJoseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen BurdickB♭ Major26B99 BPM
Orfeo ed Euridice, Act II Scene 2: Ballet Music, Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff)Wilhelm Kempff, Christoph Willibald Gluck, Idil BiretF Major07B81 BPM
Oboe Concerto in C Major, RV 452: II. Adagio by Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla NagyOboe Concerto in C Major, RV 452: II. AdagioAntonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla NagyC Major28B125 BPM
Flute Concerto in D Minor, QV 5:81: II. Arioso by Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós SpányiFlute Concerto in D Minor, QV 5:81: II. AriosoJohann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós SpányiE♭ Major05B134 BPM
Concerto Grosso In B Flat Major, Op. 6, No. 11: VI. Giga: Vivace by Arcangelo Corelli, Daniela Ruso, Ludovit Kanta, Anna Holbling, Quido Holbling, Capella IstropolitanaConcerto Grosso In B Flat Major, Op. 6, No. 11: VI. Giga: VivaceArcangelo Corelli, Daniela Ruso, Ludovit Kanta, Anna Holbling, Quido Holbling, Capella IstropolitanaB♭ Major16B59 BPM
Intermedes de Xerxes: Bourre pour les Basques by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonIntermedes de Xerxes: Bourre pour les BasquesJean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonF♯ Major12B140 BPM
ISRC
GBBBB2000043
Label
L-M Records/RCA Records

Section: 0.7886347770690918

End: 0.7920486927032471