On January 16, 2023, the song "Trampoline Jumps #1, 2/4, 128cts (Boulogner-Galopp, Op. 104)" was released by Johann Strauss I, Whitefeather Productions, Lauren Tracy Hirsch, Tatyana Shargorodsky. With Trampoline Jumps #1, 2/4, 128cts (Boulogner-Galopp, Op. 104) being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Whitefeather Productions, Tatyana Shargorodsky, Lauren Tracy Hirsch's "Linea: Music for Beginning Ballet" album is number 23 out of 31. On top of that, United States appears to be the country where this track was created. In terms of popularity, Trampoline Jumps #1, 2/4, 128cts (Boulogner-Galopp, Op. 104) is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Trampoline Jumps #1, 2/4, 128cts (Boulogner-Galopp, Op. 104) by Johann Strauss I, Whitefeather Productions, Lauren Tracy Hirsch, Tatyana Shargorodsky to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Four Seasons (Concerti Op.8 Nos.1-4) Spring (La Primavera) Op.8 No.1 E Major: Largo E Pianissimo Sempre | Baroque Festival Orchestra, Alberto Lizzio | D♭ Minor | 0 | 12A | 62 BPM | ||
Strauss: Radetzky March, Op. 228 | Johann Strauss I, Hallé, Bramwell Tovey | A Major | 4 | 11B | 122 BPM | ||
Va Pensiero | Marc Fortier | C Major | 1 | 8B | 103 BPM | ||
Fur die ganze Welt | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | G Major | 1 | 9B | 179 BPM | ||
Sorochinskaya yarmarka (Sorochintsi Fair): Gopak (Hopak) (arr. N. Rimsky-Korsakov for orchestra) | Modest Mussorgsky, Nikolai Rimsky-Korsakov, Ukraine National Symphony Orchestra, Theodore Kuchar | E♭ Major | 2 | 5B | 66 BPM | ||
Trampoline Jumps #1, 2/4, 128cts (Boulogner-Galopp, Op. 104) | Johann Strauss I, Whitefeather Productions, Lauren Tracy Hirsch, Tatyana Shargorodsky | E Major | 3 | 12B | 95 BPM | ||
Wagner: Die Walküre, WWV 86B, Act 3: The Ride of the Valkyries | Richard Wagner, Daniel Barenboim, Chicago Symphony Orchestra | B Minor | 3 | 10A | 93 BPM | ||
Marcha Funebre para una Marioneta / Gounod | Charles Gounod, Roberto Prosseda | D Minor | 1 | 7A | 121 BPM | ||
Walkürenritt (Ride of the Valkyries) | Richard Wagner, Gustav Kuhn | G Major | 4 | 9B | 91 BPM | ||
Aida Highlights (1998 Digital Remaster), Act II: Gloria all'Egitto (Chorus) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra, Chorus of the Royal Opera House, Covent Garden | E Major | 3 | 12B | 125 BPM |
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