"Wagner: Die Walküre, WWV 86B, Act 3: The Ride of the Valkyries" by Richard Wagner, Daniel Barenboim, Chicago Symphony Orchestra was released on May 1, 1992. With this song being about 5 minutes long, at 5:22, "Wagner: Die Walküre, WWV 86B, Act 3: The Ride of the Valkyries" by Richard Wagner, Daniel Barenboim, Chicago Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner : Der Ring des Nibelungen [Excerpts] (Elatus) by Richard Wagner, Deborah Polaski, Daniel Barenboim & Chicago Symphony Orchestra, Daniel Barenboim, Chicago Symphony Orchestra. The song's track number on the album is #1 out of 5 tracks. Based on our data, France was the country where this track was produced or recorded. In terms of popularity, Wagner: Die Walküre, WWV 86B, Act 3: The Ride of the Valkyries is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Wagner: Die Walküre, WWV 86B, Act 3: The Ride of the Valkyries by Richard Wagner, Daniel Barenboim, Chicago Symphony Orchestra has a tempo of 93 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Wagner: Die Walküre, WWV 86B, Act 3: The Ride of the Valkyries being at 93 BPM, the half-time would be 46 BPM with a double-time of 186 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Nocturne No. 6 in G Minor, Op. 15 No. 3 | Frédéric Chopin, Daniel Barenboim | D Minor | 0 | 7A | 132 BPM | ||
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM | ||
Rosen Aus Dem Süden, Op. 388 | Johann Strauss II, Chicago Symphony Orchestra, Fritz Reiner | A Major | 5 | 11B | 113 BPM | ||
El amor brujo: Danza ritual del fuego, para ahuyentar los malos espíritus | Manuel de Falla, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 1 | 9B | 141 BPM | ||
Conga del Fuego - Live | Arturo Márquez, Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel | A Minor | 3 | 8A | 128 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's dance | Edvard Grieg, English Chamber Orchestra, Raymond Leppard | E Minor | 0 | 9A | 158 BPM | ||
The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | F Major | 2 | 7B | 132 BPM | ||
Also Sprach Zarathustra, Op. 30: (Sehr Breit) | Richard Strauss, Herbert Blomstedt, Staatskapelle Dresden | C Major | 2 | 8B | 145 BPM | ||
6 Consolations, S. 172: No. 4 in D-Flat Major (Quasi Adagio) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 99 BPM | ||
Die Walkure, Act III Scene 3: Feuerzauber | Richard Wagner, Budapest Symphony Orchestra, György Lehel | A Major | 1 | 11B | 78 BPM |
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