Pierre Boulez, Pi-hsien Chen's 'Troisième sonate pour piano (1955-57): I Trope - Glose' came out on 2005. With Troisième sonate pour piano (1955-57): I Trope - Glose being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "Notations & Piano Sonatas". In this album, this song's track order is #22. In terms of popularity, Troisième sonate pour piano (1955-57): I Trope - Glose is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Troisième sonate pour piano (1955-57): I Trope - Glose by Pierre Boulez, Pi-hsien Chen having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Lied von der Erde: Der Trunkene im Frühling | Gustav Mahler, Michael Schade, Wiener Philharmoniker, Pierre Boulez | A Major | 2 | 11B | 97 BPM | ||
Symphony No. 3 - "Chant de la nuit", Op. 27: Largo... | Karol Szymanowski, Volkhard Steude, Steve Davislim, Wiener Philharmoniker, Pierre Boulez, Wiener Singverein | G Major | 2 | 9B | 91 BPM | ||
Pictures At An Exhibition: Gnomus | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 99 BPM | ||
8 Études, Op. 42: No. 5 in C-Sharp Minor | Alexander Scriabin, Evgeny Kissin | D♭ Minor | 2 | 12A | 132 BPM | ||
Tristia, Op.18: 3. Marche funèbre pour la dernière scène d'Hamlet | Hector Berlioz, Cleveland Orchestra, Pierre Boulez, The Cleveland Orchestra Chorus, Gareth Morrell | A Minor | 1 | 8A | 82 BPM | ||
Pierrot Lunaire, Op. 21 / Part 2: VIII. Die Nacht | Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez | G Major | 0 | 9B | 97 BPM | ||
Nocturnes, L.91: II. Fêtes | Claude Debussy, Cleveland Orchestra, Pierre Boulez | D♭ Major | 1 | 3B | 72 BPM | ||
L'Oiseau de feu, K010: II. Le jardin enchanté de Kastchei | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | G Minor | 0 | 6A | 78 BPM | ||
Divertimento: V: Turkey Trot: Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | A♭ Major | 2 | 4B | 83 BPM |
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