"Pierrot Lunaire, Op. 21 / Part 2: VIII. Die Nacht" by Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez was released on January 1, 1998. The duration of Pierrot Lunaire, Op. 21 / Part 2: VIII. Die Nacht is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Pierrot Lunaire, Op. 21 / Part 2: VIII. Die Nacht's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Schoenberg: Pierrot Lunaire; Herzgewächse; Ode to Napoleon". In this album, this song's track order is #8. In terms of popularity, Pierrot Lunaire, Op. 21 / Part 2: VIII. Die Nacht is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pierrot Lunaire, Op. 21 / Part 2: VIII. Die Nacht by Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures At An Exhibition: Samuel Goldenberg And Schmuyle | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | D♭ Major | 1 | 3B | 113 BPM | ||
4 Songs Op. 13 For Voice And Orchestra: III. In der Fremde: "In fremdem Lande lag ich" Fließend | Anton Webern, Françoise Pollet, Ensemble Intercontemporain, Pierre Boulez | D♭ Major | 0 | 3B | 115 BPM | ||
Petrouchka / Tableau II: Chez Pétrouchka | Igor Stravinsky, Cleveland Orchestra, Pierre Boulez | E Minor | 1 | 9A | 172 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 67, Rezitativ mit Chor. "Nun ist der Herr zur Ruh gebracht" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Bernarda Fink, Christine Schäfer, Dietrich Henschel, Michael Schade, Concentus Musicus Wien | B Minor | 1 | 10A | 81 BPM | ||
Symphony No. 9 in E-Flat Major, Op. 70: I. Allegro | Dmitri Shostakovich, Valéry Gergiev, Mariinsky Orchestra | A♭ Major | 3 | 4B | 128 BPM | ||
7 Papillons: No. 1. — | Kaija Saariaho, Anssi Karttunen | D Major | 1 | 10B | 56 BPM | ||
Le marteau sans maître: "Bourreaux de solitude" | Pierre Boulez, Hilary Summers, Ensemble Intercontemporain | A♭ Major | 0 | 4B | 81 BPM | ||
Lutoslawski : Symphony No.3 : I Vivo - Lento | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | C Major | 0 | 8B | 131 BPM | ||
Suite for Piano, Op. 25: I. Präludium | Arnold Schoenberg, Glenn Gould | B♭ Major | 2 | 6B | 105 BPM | ||
Pierrot Lunaire, Op. 21 / Part 3: XVII. Parodie | Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez | A Major | 1 | 11B | 126 BPM |
Section: 0.8693363666534424
End: 0.8739237785339355