Louis Spohr, Robert Reinick, Clenice Ortigara, Jairo Wilkens, Marília Vargas's 'Sechs Deutsche Lieder, Op. 103, No. 2: Zwiegesang' came out on December 21, 2017. The duration of Sechs Deutsche Lieder, Op. 103, No. 2: Zwiegesang is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Sechs Deutsche Lieder, Op. 103, No. 2: Zwiegesang's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Viagem Infinita by Clenice Ortigara, Jairo Wilkens, Marília Vargas. The song's track number on the album is #2 out of 13 tracks. Based on our data, Brazil was the country where this track was produced or recorded. Based on our statistics, Sechs Deutsche Lieder, Op. 103, No. 2: Zwiegesang's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Sechs Deutsche Lieder, Op. 103, No. 2: Zwiegesang by Louis Spohr, Robert Reinick, Clenice Ortigara, Jairo Wilkens, Marília Vargas has a tempo of 124 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Sechs Deutsche Lieder, Op. 103, No. 2: Zwiegesang being at 124 BPM, the half-time would be 62 BPM with a double-time of 248 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: I. | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Anne-Katharina Schreiber, Petra Mullejans | D♭ Major | 3 | 3B | 96 BPM | ||
Faust, Act I (1852 Version): Der Wein soll leben | Louis Spohr, Martin Eichwalder, Drummond Walker, Ulrich Neuweiler, Helmut Kegler, Bielefeld Philharmonic Orchestra, Geoffrey Moull | E♭ Major | 1 | 5B | 77 BPM | ||
Rapsodia piemontese for Violin and Orchestra, Op. 26 | Leone Sinigaglia, Noah Bendix-Balgley, Berliner Philharmoniker, Kirill Petrenko | C Major | 1 | 8B | 97 BPM | ||
String Quartet No. 2 in D Major, K. 155: III. Molto allegro | Eder Quartet | D Major | 1 | 10B | 153 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 3. Intermezzo (Allegretto non troppo) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 1 | 8A | 115 BPM | ||
Violin Concerto No.8 in A minor, Op.47 (Im Form einer Gesangsszene): 2. Adagio - Andante | Louis Spohr, Hilary Hahn, Swedish Radio Symphony Orchestra, Eije Oue | F Major | 0 | 7B | 94 BPM | ||
Violin Concerto, Op. 14: II. Andante | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
24 Caprices, Op.1 (2000 - Remaster): No. 21 in A | Niccolò Paganini, Itzhak Perlman | A Major | 1 | 11B | 57 BPM |
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