"24 Caprices, Op.1 (2000 - Remaster): No. 21 in A" by Niccolò Paganini, Itzhak Perlman was released on February 1, 2000. The duration of 24 Caprices, Op.1 (2000 - Remaster): No. 21 in A is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. 24 Caprices, Op.1 (2000 - Remaster): No. 21 in A's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Paganini: 24 Caprices". In this album, this song's track order is #21. 24 Caprices, Op.1 (2000 - Remaster): No. 21 in A is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 24 Caprices, Op.1 (2000 - Remaster): No. 21 in A by Niccolò Paganini, Itzhak Perlman having a BPM of 57 with a half-time of 28 BPM and a double-time of 114 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Duo merveille, Op. 6 "Duet for One" | Niccolò Paganini, Rachel Barton Pine | G Major | 0 | 9B | 131 BPM | ||
Violin Concerto No. 1 in D Major, Op.19: I. Andantino | Sergei Prokofiev, Itzhak Perlman, Gennady Rozhdestvensky, BBC Symphony Orchestra, Nickolas Ashford | G Major | 1 | 9B | 76 BPM | ||
Chaminade: Flute Concertino, Op. 107 | Cécile Chaminade, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | D Major | 1 | 10B | 83 BPM | ||
Brahms: Violin Sonata No. 2 in A Major, Op. 100: I. Allegro amabile | Johannes Brahms, Itzhak Perlman | A Major | 1 | 11B | 111 BPM | ||
Vieuxtemps: Violin Concerto No. 5 in A Minor, Op. 37: III. Allegro con fuoco | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | A Minor | 4 | 8A | 128 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: I. Allegro molto appassionato | Felix Mendelssohn, Itzhak Perlman, André Previn, London Symphony Orchestra | C Minor | 2 | 5A | 139 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
Vieuxtemps: Violin Concerto No. 5 in A Minor, Op. 37: II. Adagio | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | A Major | 2 | 11B | 93 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: III. Molto moderato e maestoso | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | G Major | 2 | 9B | 96 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM |
Section: 0.6959235668182373
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